Both Some Like It Hot and White Chicks incorporates the idea of androgyny, simultaneously being a male and female, as Brandon French describes (On the Verge of Revolt, 138). For example, the main characters’ transformation as women show that masculinity and femininity exist as a “sliding scale”. In Some Like It Hot, masculinity is symbolized by the presence of gangsters, alcohol, and guns, while femininity is symbolized by the girls’ band, love, and the music itself. In White Chicks, masculinity is symbolized by FBI agents, and fighting, while femininity is symbolized by shopping, clothes, and love as well. The main characters of the two films exist in both extremes. Furthermore, both films have the theme of idealism and reality. For example, both Sugar and Denise dream of meeting a decent, sensitive, and rich man; however, they end up falling in love with the opposite. Furthermore, this theme can also be explored through the characters’ transformation as women as well. People around them perceive them to be women, but they are not. The two films are arguably a stand for feminism. The central male characters must experience what it is like as a woman. In Some Like It Hot, Joe realizes the pain that Sugar feels being treated by men like himself, and he wants to change for her. In White Chicks, Marcus realizes his neglect of Gina through his interactions as Tiffany, and he realizes that everything she does for him is because of love. The films reveal “the unwanted sexual overtures, male voyeurism, and the constraints and pleasures of feminine culture” to male audiences (Tueth 90). Aside from being sex farce comedies, both Some Like It Hot and White Chicks are very
Both Some Like It Hot and White Chicks incorporates the idea of androgyny, simultaneously being a male and female, as Brandon French describes (On the Verge of Revolt, 138). For example, the main characters’ transformation as women show that masculinity and femininity exist as a “sliding scale”. In Some Like It Hot, masculinity is symbolized by the presence of gangsters, alcohol, and guns, while femininity is symbolized by the girls’ band, love, and the music itself. In White Chicks, masculinity is symbolized by FBI agents, and fighting, while femininity is symbolized by shopping, clothes, and love as well. The main characters of the two films exist in both extremes. Furthermore, both films have the theme of idealism and reality. For example, both Sugar and Denise dream of meeting a decent, sensitive, and rich man; however, they end up falling in love with the opposite. Furthermore, this theme can also be explored through the characters’ transformation as women as well. People around them perceive them to be women, but they are not. The two films are arguably a stand for feminism. The central male characters must experience what it is like as a woman. In Some Like It Hot, Joe realizes the pain that Sugar feels being treated by men like himself, and he wants to change for her. In White Chicks, Marcus realizes his neglect of Gina through his interactions as Tiffany, and he realizes that everything she does for him is because of love. The films reveal “the unwanted sexual overtures, male voyeurism, and the constraints and pleasures of feminine culture” to male audiences (Tueth 90). Aside from being sex farce comedies, both Some Like It Hot and White Chicks are very