Though within the form there is a wide array of subgenres and modes of address, the emphasis on addressing “the nation” first and others second remains a rhetorical dominant and represents an affirmation of cultural self-sufficiency” (Fulani, 2005). Bafaloukos creates many scenes in his film where the audience sees people within the ghetto coming together for a common cause, mostly to share in the good pleasure of their music; music that seems to resonate their oppression. While in the Harder they come Ivan becomes the victim of exploitation, Horsemouth is the one who does the undermining in Rockers. He seeks to disrupt the monopoly of the industry by selling recordings to the smaller
Though within the form there is a wide array of subgenres and modes of address, the emphasis on addressing “the nation” first and others second remains a rhetorical dominant and represents an affirmation of cultural self-sufficiency” (Fulani, 2005). Bafaloukos creates many scenes in his film where the audience sees people within the ghetto coming together for a common cause, mostly to share in the good pleasure of their music; music that seems to resonate their oppression. While in the Harder they come Ivan becomes the victim of exploitation, Horsemouth is the one who does the undermining in Rockers. He seeks to disrupt the monopoly of the industry by selling recordings to the smaller