Compare And Contrast Araby And Araby
“Interpreter of Maladies” and “Araby” are two short stories that showcase two very distinct styles of writing. The two authors, Joyce and Lahiri, use various techniques ranging from the use of metaphors
As Dimmesdale is holding in his secret, his sin is killing him on the inside like feeling satan 's wrath. He goes on preaching, while feeling he is loosing his mind like a psychopath. Chillingworth, Hester’s secret husband, and Dimmesdale private doctor, is attempting to “help him” but in reality is making Dimmesdale worse in the overall aftermath. As Hawthorne states “It is unspeakable misery of life so false as his, that it steals the pith and substance out of whatever realities are around us” (133). The effects of holding onto his passion, is slowly ruining his inward compassion.…
The Reverend’s own actions sicken him further; Arthur Dimmesdale “loathed his miserable self” enough to subject himself to torture(137). He keeps himself awake with night vigils and “plied his own shoulders” with a scourge(141). HIs self-inflicted psychological abuse leads to the horrifying physical harm. Reverend Dimmesdale feels guilty and ashamed for his sin which results in a longing for retribution. He temporarily satisfies this reprisal by his private torments.…
Another technique utilised by Poe in this story is the repetition of certain phrases throughout the text. Phrases referencing to madness and insanity are constantly woven into the narration even though they are used in denial their presence further reinforces the idea that the narrator is mad but as yet to realise themselves, which only serves to further signpost readers towards the conclusion that yes the narrator is mad and obsessive. The italicisation of certain words within the text is also interesting, often focusing on either the narrator themselves, their actions or what they are focusing on mentally at that point, leading to certain parts of the narration feeling disjointed and often sporadic. As if the narrators mind is struggling to focus upon one thing at a time as the paranoia and ‘nervousness’ that they are experiencing begins to fully take hold of their mental state. All of this repetition and italicisation further implicates the narrator as unstable and having a weak mental state further adding to the construction of identity by the narrator in this text.…
It was dark, the shops were closing, and everything was expensive for a boy with little money, “Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger” (287). The narrator felt anger at himself for failing is mission and not returning with a present for his love. The similarities in John Updike’s “A&P”, and James Joyce’s “Araby” show the difference between reality and the fantasies of romance that play in their heads. Both characters learned that you can’t become an adult or make adult decisions by doing childish acts; they also learned not to make decisions or get upset because of how a young lady makes them…
He dug himself out of his depression with the help of his wife, but unfortunately spiraled back down after her sudden death. To illustrate the darkness of his works, he is known as the Father of Poetic Horror, though the title is not needed, because his works are a true testament to that. He uses repetition and rhythm to state a point, while showing true emotion in his work. He uses rhyme in many of his works to show his feelings and positions on the topics he speaks about. Lastly he uses dark Irony, sometimes to antagonize people in his poems, and sometimes, to show his hatred and ill will towards characters, who in his mind transition into the real world.…
For example, Hawthorne paints Chillingworth as an image of deception or evil with a use of a forthright diction, thus pushing the audience to see how intolerable he has become. The narrator utilizes the adjective “blackness” to describe Roger Chillingworth’s shady persona to the reader while further conveying the message that there is no goodness or purity left inside of Chillingworth. The narrator employs figurative language to deliberately exaggerate the “glare of red light” in Chillingworth’s eyes to express the notion, his soul is slowly burning to death (Hawthorne 153). This is significant because it suggest to the audience that Chillingworth has sold his soul to the devil, implying to the audience that there is no way he can be saved or changed. In addition, the image of a “constant heart of torture” depicts a picture of human with a consistently negative aura, Hawthorne does this to help the reader realize Roger Chillingworth is choosing to lead a life of destruction instead of learning to becoming a better person similarly to everyone else in society (154).…
Romeo uses negative words against himself to explain his emotions which points out to the audience that unrequited love is very heartbreaking and sorrowful and also that you shouldn’t love someone so instantly as it can result to disappointment. Shakespeare points out this type of love very well as he uses very sad language through the characters to express what they feel and also because people from the olden and modern time can relate to it as everyone has experienced unrequited love in…
One recurring symbol throughout the novel is the reference to concealment of sin in the heart, such as when Dimmesdale says “...though he were to step down from a high place, and stand there beside thee, on thy pedestal of shame, yet better were it so than to hide a guilty heart…” (102) and “Why would a wretched man...prefer to keep the dead corpse buried in his own heart, rather than...let the universe take care of it!” (198). Not only do these lines show Dimmesdale’s shame and desire to confess and alleviate himself from this internal torment, but the constant use of this particular symbol suggests that sin- and lack of repentance- causes harm beyond relief. Another symbol constantly used throughout the novel is that of the scarlet letter. While Dimmesdale does not publicly wear a scarlet letter like Hester does, there are references that he does have one his chest, as this lines suggests: “...as if the universe were gazing at a scarlet token on his naked breast.” (223). To perhaps a more intense degree, after standing on the scaffold with Hester and Pearl in the dead of night, a meteor appears in the sky, described by Dimmesdale as “...the letter A...marked in dull red light...with no such shape as his guilty imagination gave it...” (234).…
Hawthorne’s character, Dimmesdale, embodies this because “…his mind was darkened and confused by the very remorse which harrowed it; that, between fleeing as an avowed criminal, and remaining as a hypocrite, conscience might find it hard to strike the balance…” (Hawthorne pg. 301). For Dimmesdale, conscience projects the emotion of regret, which affects his decision making by causing him to be indecisive. His indecisiveness between a moral choice and an immoral choice affects his humanity by making it more defined. Hawthorne’s other character, Hester, shows this with “…no more smile with the household joy, nor mourn with the kindred sorrow; or, should it succeed in manifesting its forbidden sympathy, awakening only terror and horrible repugnance.…
In a sense, Hopkins elicits a feeling of betrayal for all Christians who were raised on a belief of the Lord being merciful, for look what he has done to this seemingly undeserving man. This betrayal is not dissimilar to the emotion it is expected of Hopkins as a poet to of felt while he scrawled these words. To conclude the stanza, Hopkins writes, “O in turn of tempest, me heaped there; me frantic to avoid thee and flee?” (Line 8). Yet again, the purpose of this line is to conjure a sense of pity upon the poet, as he is crumpled upon the ground. This idea of being fallen, of still being frantic to escape God, is alluding to a sense of innocence because even on his knees God’s wrath is still coming upon him.…