Standing alone in a case in the middle of an upper level gallery room, one will find a humbly sized diptych, which vibrantly grabs the attention of anyone who passes it. To a knowing viewer, it becomes almost immediately evident that this is the work of none other than Jan van Eyck himself. This piece juxtaposes two biblical scenes commonly depicted by Renaissance artists, but with a Netherlandish attention to detail, as well as other formal elements endemic to van Eyck’s style. These components include an emphasis on highly saturated colors, a strong use of spatial elements, and highly realistic physical renderings of the subjects depicted.…