Childish Shame Of Depression: A Literary Analysis

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child does not have the ‘truth’ of an adult to beget the disparity of reality, inversely, the adult does not have the ‘will’ of a child to overcome the immutability of reality. If only a child had an adult’s wisdom to dispel (im)possibility; if only an adult had the a child’s ‘unabashedness’ to explore (im)possibility. This ‘childish shame of depression’ is the alterity leading back to innocence. A child’s misfortune of encountering ‘monsters’, the adults’ for creating them. When one’s love of (wo)man conflicts with her/his private contentment with the world as is, one’s anguish is seen as personal decadence in how it should be. A rain on the parade. An intrusive eye in the keyhole of intimacy. An unreality in their happiness in the unhappiness of her/his truth. Depression becomes a disease. The duelling consciousness in differentiating the subject of suffering, the object of derision, and the alterity of pain, is birthed by the conscience of the world.
Wherein depressive states of realism entails existence, questions of self-preservation become thoughts of disavowal. The ego is fashioned to make declarative statements: ‘I think ‘it’ such and
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Sense that is produced from the metaphoric etched episodically from memory. The feeling of hurt, the thought of harming oneself, comes from the pain the self endures when it develops further as the alterity to ego and feeling. The ‘self’ that does not exactly separate, but perpetually differentiates itself in negative terms. This is why the phrase, ‘I don’t know why I feel like this,’ may be understood universally. Such internal questionings are deemed threats by the ego, subsequently cause anxiety, and are confused as servile feelings, malignant thoughts, malicious interlopers of rhythm and reason, when they are the matter-of-fact, the actual questions that are meant to steer the ego toward a centre, are perceived as

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