In Platonism what is beautiful, is true and Good. It suggests that beauty, truth and Good are inseparable. But Baudelaire’s aesthetics lays in the notion of disbelief the ideal beauty. He denies the equivalence of beautiful with Good and also rejects the idea of absolute truth. He presents his own ‘secular idealism’--- which does not strive for divinity or ideal and does not search platonic idealism in transcendental level. He finds beauty among all unconventional forms --- ugliness; horrific scenes--- are not associated with Good. In this contexts, Baudelaire says in Salon de, 1846: “Romanticism did not consists of choice of a subject nor of exact truth, but in the manner of feeling.” (Baudelaire)
Baudelaire’s another poem ‘Sorrow of the Moon’ where the poet does not seek the ideal beauty and Romanticism. Throughout the century, romantic poetry deals with moon’s beauty. But Baudelaire inspires by the sorrow of moon and tells a sorrowful tale fascinates him more than the romantic description as he says: “shed a secret tear that falls to earth,/ some eager poet, sleep’s sworn enemy,/cups his hand and catches that pale tear.” (baudelaire …show more content…
To him artist has ‘duality of nature’ reflected in the creative process. The artist indentifies with what he represents (passion) and he maintains an emotional distance from his subject. The distance observer known as ‘fleuner’. In his poem ‘The death of Author’ Baudelaire tries to signify ideal beauty to the poet is a futile search. So Baudelaire as a poet or artist remains consistent in his belief that the individual ideal--- whether expresses by the detachment of the Dandy or the imagination of the poet is the only thing with which man should concern. S he states; ‘Death as it fills the sky like another sun/will make the flavors of their devising bloom.” (Baudelaire