Analysis Of After Titan By Vik Munniz

Vik Muniz, in Sysyphus, After Titan, uses the visual element of shape, line, and space in a variety of ways to create an intriguing piece of work. This artist’s use of shape, allows him to define the boundaries of the image of Sisyphus through the use of debris and wire. Muniz also communicates implied shape as seen specifically in the weight that Sisyphus carries on his back where many industrial items are scattered to create the shape of the bag. The edges of Sysyphus’ body, when met with the background of debris, also assists in giving the subject implied shape. By using the pre-existing concrete for the main image, Muniz uses negative shape to draw the viewer's eye toward the center of his work. At the same time he uses positive shape to draw the viewer’s eye upward toward the sack he is carrying. Muniz’ use of geometric shapes such as round tires, rectangular containers, cylindrical barrels, curvilinear wires, and a variety of other items within the background develops a sense of shape for this piece. Additionally, his use of nuts and bolts and dirt within the background creates amorphous shapes since they are not clearly defined into a particular form. …show more content…
Muniz outlines Sisyphus with debris in the background to suggest the edge and form of Sisyphus's figure and thus create a strong and defining contour line for his boundaries. Muniz uses a dark wire to outline the image of the sack that Sisyphus carries. He also uses objects and wire in a wave-like line within the muscles on the stomach to suggest movement. Muniz’s also uses stippling on his legs and arms. Diagonal lines under Sisyphus’s feet show movement uphill. The bolts, nuts, and industrial parts have precise analytic lines, but Muniz’ use of these items, within this piece and how he arranges them, reflect expressive