Op Art: Victor Vasarely And The Op Art Movement

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Victor Vasarely should be taught to students of Art History 1 because he fused elements of design and the Abstract Expressionist movement to achieve and nurture the Op Art movement in the 1960s. Considered one of the originators of Op Art for his visually intricate and illusionistic portraits, Victor Vasarely spent the course of a lengthy, critically acclaimed profession seeking, and contending for, a method of art making that was profoundly social. He placed major significance on the development of an appealing, available optical language that could be collectively comprehended—this language, for Vasarely, was geometric abstraction, frequently referred to as Op Art. Through detailed arrangements of lines, geometric shapes, colors, and shading, he crafted eye-popping paintings, bursting with complexity, movement, and three-dimensionality. More than attractive ruses for the eye, Vasarely contended, “pure form and pure color can signify the world.” Although eventually obscured by the new reserved style of Minimalism, Op Art was an enormously popular form of abstraction, and Mr. Vasarely, who experimented with visual arrays since the 1930 's, was largely acknowledged as its ' 'grandfather. ' '
Artists have been captivated
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First off, Op art often utilizes vivid colors, two-dimensional lines and shapes that appear to have three-dimensional depth, and above all there is no sign of a brushstroke. These stylistic characteristics correlate well with the pieces of Pop art movement. In the late 1970’s, Roland Barthes, a literary theorist and philosopher, wrote that the Pop artist “has no depth: he is merely the surface of his pictures, no signified, no intention, anywhere.” In this way, Victor Vasarely and his art stand in stark contrast and would provide a very well fitting juxtaposition for the Art History 1

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