Throughout Henrik Ibsen’s realistic play, entitled A Doll’s House, a systematic examination of the rigid gender roles and expectations that infect the Victorian society in Norway forces an analysis of prominent characters, such as Nora Helmer, Torvald Helmer, Kristin Linde and the Nanny. Without the impact of the three aforementioned characters, the entire comprehension of the restrictions of a Victorian lifestyle would lose its respective substance.
Since the initial introduction of Nora Helmer, the impact of her oppressive, yet somehow admired, Victorian society prevails through her every action. Due to the expectations pertaining to women rendering dainty, dependent people, Nora Helmer frequently reflects on her short-term job. She quickly recognizes that “it was really tremendous fun sitting there working and earning money” (Ibsen 1.?). Under her Victorian society, Mrs. Helmer refuses to take