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20 Cards in this Set

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Roland Barthes πŸ’™

Sign and Signifiers, media text communicate their meaning through the use of denotation (literal) and connotation (meanings that are associated)

Connotation, denotation

Todorov πŸ’™

Narrative moving from equilibrium to disruption and new equilibrium

Equilibrium

Steve Neale πŸ’™

Genres are dominated by repetition, although marked by difference and variation. Genres can change and develop over time

Genres

Claude Levi Strauss πŸ’™

Meaning of a media text is present, dependent and produced through binary opposites

Binary opposition

Jean Baudrillard πŸ’™

In post modern culture, the boundaries between the real world and the media world have been collapsed. We are immersed in a world where images no longer refer to anything 'real' (hyperreality

Postmodernism

Stuart Hall ❀

Representation is seen through language, a system of codes


Relationship between concept and signs is shown through codes


Stereotypes reduces people to few simple traits, and usually occurs when there is an inequality of power

Stereotypes

David Gauntlett ❀

The media provides us with tools to construct our own identities.


In the past used to convey singular straightforward messages of males and females


Today, there is a pick and mix, from the media portraying an array of stars, icons and characters

Identities

Liesbet Van Zoonen ❀

Gender is constructed through discourse. It's meaning varies due to cultural and historical context


Women's bodies are seen as objects to be looked at. Element of western patriarchal culture


Mainstream culture show men as a spectacle and women an object

Gender imbalance

Bell Hooks ❀

Feminism is a struggle to end sexist/patriarchal oppression and domination


Feminism is a political commitment rather than a lifestyle choice


Race and class as well as sex determine the extent to which individuals are exploited or discriminated against

Oppression, discrimination, race and class

Judith Butler ❀

Identity is performatively constructed by 'expression' (set of acts and behaviour).


There is no gender identity behind expressions of gender (sex is different from gender)


Performativity is not a singular act but a repetition

Gender identity, sex vs gender

Paul Gilroy ❀

Colonial discourse continue to inform contemporary attitudes to race and ethnicity (from colonisation people today still have the same ideologies and views)


Civilisarionism construct racial hierachies. A binary opposite is created based on 'otherness'

Post colonial, ethnicity

Curran and Seaton πŸ’š

Media is controlled by a small number of companies (hegemony), they are usually driven by profit and power


This usually limits variety, creativity and quality


More socially diverse patterns of ownership helps to create more varied and adventurous media productions.

Profit, power, creativity, quality, socially diverse

Livingstone and Lunt πŸ’š

There is a struggle in recent UK regulation policy, by protecting audience from offensive harmful material but still have the need to further their interest


The increasing power of global media corporations together with the rise of convergent media technologies, in production, distribution and marketing of digital media have placed traditional ways of regulation at risk

Regulation, risk

David Hesmondhalgh πŸ’š

Industry companies try to maximise audience whilst minimising risk through vertical and horizontal integration and formatting their products through the use of stars, genres and serials.


Largest companies or conglomerates operate across a number of different cultural industries

Minimising risk, maximising audience, vertical and horizontal integration

Albert Bandura πŸ’œ

Media can implant ideas in the mind of audiences


Audiences aquire attitudes, emotional responses and new styles of conduct through modelling (what they see)


Media representations of transgressive behaviour such as violence can lead audience to imiate

Media implants ideas, attitudes, you are what you see

George Gerbner πŸ’œ

Exposure of repeated patterns of representation over a long period of time shapes and influences the way in people perceive the world around them


Cultivating particular views, they usually reinforce mainstream values (hegemonic - dominant values)

Repeated things, influencing minds

Stuart Hall πŸ’œ

Communication is a process involving encoding by producers and decoding by audiences. 3 positions audiences may stabd when decoding: dominant, negotiated, oppositional

Encoding, decoding

Henry Jenkins πŸ’œ

Fans are active participants in the construction and circulation of textual meanings. (Sharing, liking, commenting)


Fans don't have to like a product, but are active participants


Fans appropriate texts and read them in ways that aren't fully authorised by media producers (textual poaching)

Active audience, fans

Clay Shirky πŸ’œ

Internet and digital technologies have a profound effect between the media and individuals


Audience are no longer become passive audience but active by being able to 'speak back' to the media in various ways, this is because of the internet.


Becoming prosumers by producing and consuming media at the same time

End of an audience, active audience, prosumers

Young and Rubicam - 4C's πŸ’œ

Cross Cultural Consumer Characterisation



Reformer


Resigned


Succeeded


Struggler


Aspirer


Mainstreamer


MainstreamerExplorer


Explorer

Through motivation they are a...