Pe 2Nd Quarter

Front 1

is a cultural art form handed down from generation to generation. It communicates the customs, beliefs, rituals, and occupations of the people of a region or country. _____ belongs to the people.

Back 1

Folk and Ethnic dance

Front 2

have their specific tribal art forms originated and danced by the people of the tribe.

Back 2

Ethnic tribes

Front 3

Examples of _____ dances are the rural and country dances, jotas, mazurkas, and pandanggos, among others with foreign influence.

Back 3

folk dances

Front 4

Examples of ______ dances are the dances of the mountain peoples of the Cordilleras, and the dances of the ethnic groups in the Cagayan Valley.

Back 4

Ethnic dance

Front 5

Classification of Philippine Folk Dances

Back 5

Maria Clara

Rural

Muslim

Tribal

Front 6

It is named after the chief female character of JoseRizal's Noli Me Tangere; Spanish influenced"Filipinized" using bamboo castanets and abanico

Back 6

Maria Clara

Front 7

dances illustrate the fiesta spirit and love of life, best known type of Filipino dance.

Back 7

Rural

Front 8

dances to celebrate victories, festivals, religious rituals, thanksgiving, etc; musical instruments include nose flute, bamboo guitar, drums, gongs, and wooden sticks.

Back 8

Rural

Front 9

characterized by vivid colors and rhythmic movements which reflect the influence of Arabian and Indo-Malaysian cultures.

Back 9

Muslim

Front 10

tribal dances performed essential "for the gods" ceremonial and ritual type dances.

Back 10

Tribal

Front 11

found throughout the islands with little or no modification.

Back 11

National dance

Front 12

found in a certain locality.

Back 12

Local dances

Front 13

depicting the action of a certain occupation, industry, or human labor.

Back 13

Occupational

Front 14

performed in connection with religious vows and ceremonies.

Back 14

Religious or ceremonial

Front 15

performed during the wedding feast.

Back 15

Wedding dance

Front 16

depicting lovemaking.

Back 16

Courtship dance

Front 17

suitable for a special occasion or any social gathering.

Back 17

Festival dance

Front 18

showing imaginary combat or duel.

Back 18

War dance

Front 19

Both arms are raised forward in a circle in front of the chest with the fingertips about an inch apart.

Back 19

1st position

Front 20

Both arms are raised sideward with graceful curve at shoulder level.

Back 20

2nd position

Front 21

Left arm is raised sideward as in 2nd position; right arm raised upward.

Back 21

3rd position

Front 22

Left arm is raised in front as in the first position; right arm raised overhead.

Back 22

4th position

Front 23

Both arms are raised overhead.

Back 23

5th position

Front 24

Heels close together; toes apart within an angle of around 45 degrees.

Back 24

1st position

Front 25

Point the right toe sideward; bring down the heel of the right foot.

Back 25

2nd position

Front 26

Heel of one foot is close to in step of other foot.

Back 26

3rd position

Front 27

Point the right toe forward; bring down the heel of the right foot

Back 27

4th position

Front 28

Close the right foot to the left by circling and returning to the first position.

Back 28

5th position

Front 29

It refers to dance styles that have evolved outside of dance studios. It is performed in streets, dance parties, parks, school yards, or any available space. It is often improvisational and social in nature, encouraging interaction and contact with spectators and other dancers.

Back 29

Hip-hop and street dance

Front 30

Is a cultural movement best known for its impact on music in the form of the musical genre of the same name.

Back 30

Hip-hop

Front 31

Hip-hop originates in ______ during ______. It was popularized by African American and was influenced by Latin Americans.

Back 31

Bronx, part of New York City

1970’s.

Front 32

is a distinctly Pinoy term, which is very closely related to hip- hop, but rather, defined by cultural nuances and influences that,

Back 32

Street dance

Front 33

It consists of four fundamental characteristics such as rapping ; _____ Disc jockeying ______; Break dancing ______; and Graffiti Art _____

Back 33

(MCing)

(DJing);

(B-boying);

(Aerosol Art).

Front 34

It has several styles that comprise two main categories, the Old school _____ and the New school _____.

It has several styles that comprise two main categories, the Old school _____ and the New school _____.

Back 34

(breaking, popping, and locking)

(house, krumping, street jazz.

Front 35

lso known as breaking, or breakdancing, is the first hip- hop dancing that originates from Black and Puerto Rican youths in New York City during the early 1970’s.

Back 35

B-boying

Front 36

is the term given to b-boy or b-girl who do breakdancing.

Back 36

Practitioner

Front 37

_____ and _____ is the original term for breakdance.

Back 37

B-boying

breaking

Front 38

was popularized by Samuel Boogaloo Sam Solomon together with his crew, the Electric Boogaloos. It is based on the technique of quickly contracting and relaxing muscles to cause a jerk in a dancer’s body.

Back 38

Popping

Front 39

Four movements of B-boying

Back 39

Top rock

Down rock

Freezes

Power moves

Front 40

____ forces parts of your body outwards, like an explosion within parts of your body. Popping contracts muscles but is followed by relaxation that gives it the jerking appearance of popping.

Back 40

Popping

Front 41

_____ was identified by its distinctive stops. It is usually performed by stopping the fast movement of the performer, locking the body into a position, holding it, and then continuing the same speed before stopping.

Back 41

Locking

Front 42

_____ is the form of dancing that was originated from African-American community of South-Central Los Angeles, California and is a relatively new form of the “Urban Black dance movement.

Back 42

Krumping

Front 43

It is free, expressive, and highly energetic. Most people paint their faces in different designs. ______ is a dance style like release of anger.

Back 43

Krumping

Front 44

______ is a creative way of making geometric shapes forming right angle using your body parts. The style was originally practiced by young funk dancers.

Back 44

Tutting

Front 45

The Melbourne Shuffle (also known as Rocking “The Shuffle”) is a rave and club dance that originated in the late 1980’s in the underground rave music scene in Melbourne, Australia.

Back 45

Shuffling

Front 46

Performers of this style are known as Rockers due to its rock music around 1990’s

Back 46

Shuffling

Front 47

Ballet was taken from the Italian word _____ meaning to dance, and “______”, referring to dances performed in a ballroom.

Back 47

“ballare”,

"ballo"

Front 48

It started as a performance in the royal court where the male servants would execute a movement related to the course, they are serving during a court dinner.

Back 48

Ballet

Front 49

To bend

Back 49

Plie

Front 50

To rise

Back 50

Releve

Front 51

To jump

Back 51

Sauté

Front 52

A series in rapid turns

Back 52

Chains

Front 53

To change the placement of heels with a jump

Back 53

Changement

Front 54

_____ developed independently in America and Germany. It was then known in Germany as Ausdruckstanz, meaning expressive dance.

Back 54

Modern dance

Front 55

a term to describe contemporary dance, is a style of dancing where dancers are free to express their feelings through movements without adhering to any rules in dance particularly that of ballet

Back 55

Modern dance

Front 56

Modern dance examples

Back 56

Lateral

Spiral

Stag leap

Stag turn

Front 57

The anatomical alignment and technique of the dancer are some of the intrinsic factors that are commonly associated with injury.

Back 57

a. Poor body alignment and technique

Front 58

Excessive training and limited recovery impair the ability to heal and repair damaged issues.

Back 58

Excessive training duration and intensity

Front 59

The floor is where dancers rehearse and perform. An optimal dance floor should be able to absorb the impact that is generated by the performer.

Back 59

Hard dance floor

Front 60

Footwear corrects foot mechanics and reduces reduce space on the foot. A shoe that does not fit properly or has insufficient shock absorption will significantly contribute to injury risk.

Back 60

Poor shoe design

Front 61

______ is an uncoordinated muscle action because of uneven strength between muscle groups. This is attributed to various factors such as anatomy, technique, and past injury.

Back 61

Muscle imbalance

Front 62

Types of musculoskeletal injuries:

Back 62

acute and chronic.

Front 63

occur when the mechanical force that is absorbed by the musculoskeletal structure is more than what it is accustomed to. The onset of pain and other symptoms occur immediately after the impact.

Back 63

Acute injuries

Front 64

occur due to repetitive trauma and the body is not given enough time to recover. The onset of pain and other symptoms occur at a gradual rate, which is usually worsened with activity or training.

Back 64

Chronic injuries

Front 65

Common acute dance related injuries

Back 65

Ankle sprain

Dancers' fracture

Back Strain

ACL tear

Forearm fracture

Front 66

Common chronic injuries

Back 66

Stress fracture

Achilles tendinosis

Patellofemoral pain syndrome

Plantar fasciitis

Hip and knee osteoarthritis