Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
62 Cards in this Set
- Front
- Back
middle ages period (Europe)
|
450-1150 (also encompasses dark ages, romanesque period, and gothic period)
|
|
"dark ages" (Europe)
|
began about 450 (beginning of Middle Ages period) with the disintegration of the Roman Empire
|
|
Romanesque period (Europe)
|
1000-1150 (a part of the middle ages which go from 450-1150)
|
|
Gothic period (Europe)
|
1150-1450 (the end of the middle ages which go from 450-1150)
|
|
What was the profession of most important musicians in the middle ages?
|
priests
|
|
Were woman permitted to sing in the church during the middle ages?
|
NO, women were not permitted to sing in the church during the middle ages.
|
|
How was most medieval music performed?
|
vocal
|
|
the organ
|
-at first the organ was a primitive instrument whose keys were operated by heavy blows of the fist
-a prominent church instrument in the middle ages |
|
How do we know that instruments were used in the middle ages?
|
from pictures and literary descriptions of the day
|
|
How did the church view instruments?
|
at first the church frowned on instruments because of their use in pagan rites, but later on the medieval church was ok with music in religious services but only if it was used as discreet accompaniment
|
|
Describe "Gregorian chant"
|
-set to sacred Latin texts
-retained some elements of the Jewish synagogue of the first centuries after Christ -was the official music of the Roman Catholic church for more than 1000 years (but is seldom heard to today because the Second Vatican Council of 1962-65 decreed the use of the vernacular in church services) |
|
What are the musical qualities of Gregorian chants?
|
-monophonic in texture
-melody sung without accompaniment -Gregorian chant melodies tend to move stepwise within a narrow range of pitches |
|
Gregorian chant is named after Pope Gregory I. Why?
|
Pope Gregory I was credited by medieval legend with having created Gregorian chant, even though it evolved over many centuries
|
|
What did Pope Gregory the Great actually do?
|
Pope Gregory the Great reorganized the liturgy of the Catholic church during his reign from 590 to 604
|
|
What were the two types of services where monks and nuns sang?
|
the office and the mass
|
|
What century are the earliest surviving chant manuscripts from?
|
The earliest surviving chant manuscripts date from about the NINTH CENTURY.
|
|
the church modes
|
-the basic scales of western music during the middle ages
-like the major and minor scales in that they consist of seven tones an eighth tone that duplicates the first an octave higher |
|
"Alleluia"
|
-may be translated as "praise ye the Lord"
-is a Latinized form of the Hebrew hallelujah -is often used in Gregorian chants (ALL OF THE ABOVE)** |
|
What form is the Gregorian chant "Alleluia: Vidimus stellam" in?
|
ABA
|
|
Who was Hildegard of Bingen?
|
-the first woman composer to leave a large number of works that have survived
-abbess of the convent at Rupertsberg -a visionary and mystic active in religious and diplomatic affairs (ALL OF THE ABOVE)***** |
|
Who wrote the earliest extant liturgical morality play, "ordo virtutum (play or the virtues)"
|
Hildegard of Bingen
|
|
When and by whom was the first large body of secular songs that survived in decipherable notation composed?
|
during the 12th and 13th centuries by troubadours/trouveres (poet-musicians of the French nobility)
|
|
What are troubadours/trouveres and what did they sing about?
|
-poet-musicians of the French nobility
-sang about love, dancing, the Crusades, spinning - |
|
Who is a famous French woman troubadour?
|
Beatriz de Dia
|
|
What is missing in the notation of secular songs in the Middle Ages?
|
rhythm
|
|
What are jongleurs?
|
-wandering minstrels of the Middle Ages
-important sources of information in a time when there were no newspapers -on the lowest social level -performed music and acrobatics in castles, taverns, and town squares -played instrumental dances on harps, fiddles, and lutes |
|
What was significant about instrument use in late medieval secular music?
|
Late Medieval secular music made use of every kind of musical instrument.
|
|
What did Henri de Malines sing as a young student in Paris?
|
Henri de Malines sang monophonic songs in various languages as a young student in paris.
|
|
what is an estampie?
|
a medieval dance
|
|
What is a rebec? (melody of estampie played on this instrument)
|
bowed string instrument
|
|
What was the first step in the transformation of western music/ development of polyphony?
|
the addition of a second melodic line to Gregorian chant
|
|
When did monks in monastery choirs begin to add a second melodic line to Gregorian chant?
|
700-900
|
|
What was the first step toward the development of polyphony (700-900)?
|
monks in monastery choirs began to add a second melodic line to Gregorian chant
|
|
What is the term applied to medieval music that consists of Gregorian chant and one or more additional melodic lines?
|
ORGANUM is the term applied to medieval music that consists of Gregorian chant and one or more additional melodic lines.
|
|
Between 900-1200 organum became truly polyphonic and the melody added to the chant developed a unique pitch. In 1100 the second line became even more independent. Describe how it changed at this point.
|
it changed rhythmically; the additional melodic was usually much faster than the original chant
|
|
did medieval music theorists use triads?
|
NO!!!! medieval music theorists considered triads to be dissonant (even though now we consider them the basic consonant)
|
|
What city was the center of polyphonic music in Europe after 1150?
|
PARIS
|
|
who were the earliest known composers to write music with measured rhythm?
|
Leonin & Perotin (composers in Paris, them and their followers came to be called the school of Notre Dame)(all of the above)
|
|
how was most polyphonic music created in medieval times?
|
by placing new melodic lines against known chants
|
|
what is cantus firmus?
|
the term used for a chant that is used as the basis for polyphony
|
|
secular music (fourteenth century)
|
(all of the above)
-became more important than sacred music -was not based on Gregorian chant -included drinking songs and pieces in which bird calls, dog barks, and shouting hunters are imitated |
|
When and why did secular music become more important than sacred music?
|
IN THE 14TH CENTURY
(all of the above) among other reasons because -the literature of the time stressed earthly sensuality -rival popes claimed authority at the same time, thereby weakening the authority of the church -the feudal system had gone into decline |
|
What does the term ars nova refer to and what is a major characteristic of it?
|
ars nova, or new art, refers to French and Italian secular music of the fourteenth century; a new system of music notation has evolved and a composer could now specify almost any rhythmic pattern (this was not possible before the ars nova in the 14th century)
-a major characteristic of the ars nova was syncopation - |
|
Who was the most celebrated Italian composer of the fourteenth century?
|
Francesco Landini
|
|
Francesco Landini's "Ecco la primavera (Spring has come)" is in the poetic and musical form of a ....
|
balata
|
|
Who was the foremost composer of fourteenth century France and an outstanding composer of the ars nova?
|
Guillaume de Machaut
|
|
What else was Guillaume de Machaut besides a musician in 14th century France?
|
(all of the above) a court official, poet, and priest
|
|
What do Guillaume de Machaut's consist partly/mainly of? (secular wise)
|
love songs with instrumental accompaniment
|
|
What is unique about the "Notre Dame" Mass by Guillaume de Machaut?
|
The "Notre Dame" Mass by Guillaume de Machaut is the first polyphonic treatment of the mass ordinary by a known composer
|
|
What are the five sung prayers of the mass ordinary?
|
Kyrie, Gloria, Credo, Sanctus, and Agnus Dei (NOT AVE MARIA!!!!!)
|
|
wandering minstrels of the middle ages
|
jongleurs
|
|
poet-musicians of the French nobility
|
trouveres
|
|
early double-reed woodwind instrument
|
shawm
|
|
plucked instrument with pear-shaped body and usually a bent neck and fretted fingerboard
|
lute
|
|
melody sung without accompaniment
|
chant
|
|
text portions of the Roman Catholic mass which remain the same each day
|
mass ordinary (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei)
|
|
text portions of the Roman Catholic mass which change from day to day
|
mass proper
|
|
reorganizer of the Catholic liturgy
|
Pope Gregory I
|
|
major composers of the school of Notre Dame
|
Leonin and Perotin
|
|
an outstanding composer of the ars nova
|
Guillaume de Machaut
|
|
famous French woman troubador
|
Beatriz de Dia
|
|
abbess and composer active in the twelfth century
|
Hildegard of Bingen
|