Ch 19, 20, 21

Front 1

Back 1

Oil on wood panel. Marriage portrait. Dog=loyalty. Mirror= passion of christ . Wealth: oranges, abundance of clothes

Hint 1

Jan van Eyck, double portrait of Giovanni and his wife

Front 2

Back 2

Life of Virgin and the infancy of christ. International Gothic. Mary used to be a temple attendant before Joseph. Lilies: virginity.

Hint 2

Melchior broederlam , annunciation visitation presentation in the temple and flight to Egypt

Front 3

Back 3

Created for a book of hours, devotional prayer book. Luxury of duke's court.

Hint 3

Paul Herman and Jean limbourg , January the Duke of berry at the table tres riches heures . Colors and ink on parchment

Front 4

Back 4

Meant for private Chapel. Common objects with symbolic meaning. Lilies, virginity. Towel, prayer shawl.

Hint 4

Worship of master of female merode altar piece (triptych of the annunciation)

Front 5

Back 5

Self portrait in which physical appearance is recorded in a magnifying mirror

Hint 5

Jan van Eyck, man in the red turban oil on wood panel

Front 6

Back 6

Altar piece commissioned by jodocous vyd and wife. Outer scroll "behold the handmaid of the Lord" painted upside down for god. Richer coloring inside.

Hint 6

Jan and Hubert van Eyck, Ghent altar piece, adoration of the mystic lamb. Oil on panel

Front 7

Back 7

Removal of jesus from the cross. Near life sized rendering. More details on the left side to balance more people on the right

Hint 7

Rogier van der weyden, deposition. Oil on wood panel

Front 8

Back 8

Depiction of nativity in luke over 8ft tall. Donors family kneeling in prayer. Rec represent a saint.

Hint 8

Hugo van der goes. Portinari altar piece. Tempra and oil on wood panel.

Front 9

Back 9

Original biblical depiction of physical assault.
Rubbed lamp black into engraved lines and pressing paper over the plate

Hint 9

Martin schongauer the temptations of St Anthony. Engraving

Front 10

Back 10

Trained as goldsmith. Temporary supports made the already finished portions act as a support system. Reinforced with iron rods and oak beams.

Hint 10

Fillipo brunelleschi dome of florence Cathedral

Front 11

Back 11

Unadorned building a social commentary on laws forbidding displays of wealth. However, the details were classically inspired.

Hint 11

Michelozzo di bartolomeo "medici Palace"

Front 12

Back 12

Fillipo brunelleschi "sacrifice of Isaac". Part of the competition reliefs. Rugged, explosive.

Front 13

Back 13

Donatello "David"
Post fight, leg resting on goliaths head. Wax casting. First life size free standing nude since antiquity.

Front 14

Back 14

Equestrian statue, donatello. Revered because of the expression on the general is solemn and worn. Not glorifying war

Front 15

Back 15

Equestrian statue, donatello. Revered because of the expression on the general is solemn and worn. Not glorifying war

Front 16

Back 16

Lorenzo ghilberti "gates of paradise". Ten reliefs. Used a system of perspective. Series of related events sprays by narrative time.

Front 17

Back 17

Christ giving keys to St Peter, perugino. Uses a vanishing point linear perspective. Fresco, sistine Chapel.

Front 18

Back 18

Trinity with the Virgin, masaccio. Brief career, consistently scaled characters. Rational architecture. Natural settings.

Front 19

Back 19

The tribute money, Masaccio. Tax collector asks Peter if jesus pays tribute money. Coin found in mouth of fish. Linear and atmospheric perspective.

Front 20

Back 20

Andrea del castagno "the last super".
For a convent of benedictine nuns. Meant to encourage them to see meals as a sacramental act.
All focused on viewers side of table. Only the lines of the ceiling converge at the same point.

Front 21

Back 21

Baptism of christ. Piero della francesca. Stillness meant unchanging. Emphatically upright forms.

Front 22

Back 22

Piero della francesca "batista sforza and federico da montefeltro"
Arranged marriage gone right, memorialized in the double portrait. Federico lost his other eye, and has a broken nose. Italian fashion: disengaged from the viewer. Flemish: luminosity, detail in landscape

Front 23

Back 23

Antonio del pollaiuolo "Battle of the nudes". Engraving. More about muscles than accuracy in presenting them. Reflective of Renaissance scholars: study of sculpture and anatomical research

Front 24

Back 24

Sandro botticelli " birth of venus" tempura. Canvas. drawing attention to sexuality. Decorative use of line.

Front 25

Back 25

Giovanni bellini "Virgin and child enthroned with ss Francis, John the Baptist, job, Dominic, sebastian, donatello loss of toulouse. Oil on wood.
Holy conversation. Radical foreshadowing. Low vanishing point.

Front 26

Back 26

Giovanni bellini "St. Francis in ecstasy". Natural world is detailed. Francis moved to a cave to commune with God. Appreciating God's world. Saturated with symbolism

Front 27

Back 27

Leonardo da vinci the Virgin of the rocks, Oil on panel. Painting is Virgin and child with angels and baby John the Baptist. Chiaroscuro on the figures, highlighting them. Sfumo /smoky background

Front 28

Back 28

Leonardo da vinci the last supper. Temporary and oil on plaster, terrible combination. Faded easily, chipped. Monks didn't think it would last , put a doorway below jesus' feet/table.

Front 29

Back 29

Leonardo da vinci mona Lisa. Mystery like the Virgin of the rocks. Painting of merchants wife, never delivered. No warmth in her eyes with the gentle smile.

Front 30

Back 30

Raphael, small cowper Madonna. Childhood scene in background. Serene.

Front 31

Back 31

Raphael, "school of athens" fresco on the stanza della Segnatura.

Raphael was commissioned by the Pope to decorate the papal apartments. One, the school of Athens summarizes the Renaissance papacy. This sector is philosophy.
Sculptures of Apollo, minerva.

Front 32

Back 32

Michaelangelo, pieta.
Marble. Commissioned by French cardinal ad tomb monument. Virgin has dead jesus in her arms.

Front 33

Back 33

Michaelangelo, David. Marble.
Supposed to be placed on top of a Cathedral. Too well liked, put in city square. Reminder of Republican status of florence.

Front 34

Back 34

Michaelangelo, creation of Adam. God charges Adam with life. Eve peeking out from God's other arm.

Front 35

Back 35

Donato bramante church of San pietro. Little temple. Inspiration from vitruvius, and alberti.

Front 36

Back 36

Giorgione, the tempest. Painted on a whim. Giorgione altered the composition while it was being made. The wandering man was the replacement for a bathing woman.

Front 37

Back 37

Titan pesaro Madonna. Oil on canvas. Giorgione's style. Virgin on throne, pesaro family at feet. Lots of symbolism with the colors.

Front 38

Back 38

Titan, Venus of urbino. Oil in canvas. 1538. Dog, loyalty . Woman, sensuality.

Front 39

Back 39

Pontormo, deposition. Altar piece. Odd poses/drastic shifts on scale charge scene emotionally. Weirs colors. Odd positions.

Front 40

Back 40

Parmigiano. Madonna with the long neck. Illusion of throne. Disproportionately small head to leg ratio. The child is too large. The background is unfinished.

Front 41

Back 41

Michaelangelo, last judgment.
Fresco 1536. Abandons medieval conception of last judgment. St Bartholomew holds his own flayed skin to the right of Christ's feet.

Front 42

Back 42

Vignola and giacomo della Porta. Church of IL gesu. 1573. Jesuit headquarters. Congregational worship. Significant influence

Front 43

Back 43

The last supper, Tintoretto.
2 sources of light, supernatural (jesus) and natural (gas lamp). 1592.

Front 44

Back 44

Palladio. Church if San Giorgio maggiore. 1565. His variation on traditional Renaissance facade for bacillica.