But Chia continued to paint on large canvas, painting mostly subjective of a large heroic white male figure pushing the thought of him being all powerful and strong with the stout body with coal-heaver arms. However, according to Robert Hughes in his article History as Light Opera, Chia “figured how to take authoritarian images and render them cuddly, defusing their latent political content” as the heroes of organ-grinders (Hughes). But this was not really moving towards feminism liberation or individuality it just pointed that white men can be cuddly but still
But Chia continued to paint on large canvas, painting mostly subjective of a large heroic white male figure pushing the thought of him being all powerful and strong with the stout body with coal-heaver arms. However, according to Robert Hughes in his article History as Light Opera, Chia “figured how to take authoritarian images and render them cuddly, defusing their latent political content” as the heroes of organ-grinders (Hughes). But this was not really moving towards feminism liberation or individuality it just pointed that white men can be cuddly but still