‘Art Historian Sidra Stich links the Surrealist fervour for deformity and disfigurement to the sudden presence of the crippled and mutilated in society post’ WWI. Just as Film Noir is acknowledged as a response to disillusionment during and post WWII, so too can the comparable movements of Surrealism, Dada and Expressionism be seen as reactions to changes in the symbolic order as a result of war. This sense of disjuncture is evident in the sets of Caligari, where distortion is a projection of Francis’ disturbed psyche, optical complexity connoting psychical complexity. The artificiality of the production design intentionally lacks coherence, the serpentine and rectilinear lines converging on the walls evocative of dreams, memory and a subjective…
Film Noir includes dark, suspense-filled and thrilling mysteries. They are usually ambiguous, pessimistic and emphasize the isolated feel of the modern cities. The usage of low-key lighting and dark colors to create high contrast on screen is very common. Low-angle shots and Dutch camera angles, which are shot with tilted camera angles, are used to portray tension. Instead of showing a person directly, they commonly used disorientation and showed people reflected in a mirror.…
In both the short story and Alfred Hitchcock’s film adaptation of “Lamb to the Slaughter”, by Roald Dahl, the important plot elements of the short story stayed about the same. Mary Maloney was a pregnant housewife in the 1950’s who murdered her husband because he wanted to leave her. She was obsessive about their relationship and overwhelmed with such rage and disbelief about his decision to leave her, that she killed him. Mary covered it up by going out to buy groceries and pretending that she came back and found him dead. The detectives in the story never suspected her, they choose not to believe that a sweet innocent woman such as Mary could murder her husband in cold blood.…
In what follows, I will analyze Hitchcock's film Rear Window. It is my thesis that the film clearly shows that scopophilia leads to living a different kind of life. When being intrigued by someone else’s life, it is pretty easy to want to know answers. To defend this thesis, the essay will show specific scenes from the film to demonstrate how easy it is to be interested in someone else’s life.…
They share the same genre values with the filmmakers. For instance, look at John Carpenter’s Halloween. By the time this film came out audiences knew what to expect when seeing this. This movie would surly have blood, suspenseful moments, and an emotional undertow; it did not disappoint. By the time this movie was released, in comparison to Dracula¸ it was often expected that the ending leave you wondering whether or not the “bad guy” was actually dead.…
His two movies rear window (1954) and shadow of a doubt (1943) show clear links and examples to his distinctive style. Hitchcock uses a number of recurring theme and techniques which are easily recognisable. One theme is 'voyeurism' in multiple films. In rear window the film is based off Jeff peering into the lives of his neighbours without them suspecting a thing.…
Hitchcock’s film also invokes the homophobic categories of cold-war political discourse to secure the representation of Bruno as the emotionally unstable homosexual who threatens national security. This is clearly evident from his conversation with his mother when his mother points out his plan to blow up the White House. Of which Bruno says: “I was only kidding, Ma. Besides, what would the president say?” (qtd from the film).…
Certain underlying motifs such as the subjective point of view, social and moral critiques, involvement of the audience, or the not ego ideal male protagonist can be used to characterize the Hitchcock film. His 1954 film Rear Window operates by implicating the viewer in the narrative as it presents a visual analysis on the nature of human curiosity and interactions. Throughout the film, L.B. Jeffries, played by James Stewart, is bound to his wheelchair and finds himself peering into the lives of his neighbors as a form of entertainment and a means to escape his own problems. The cinema, according to Laura Mulvey, derives its pleasure from “scopophilia,” where looking becomes the source of one’s pleasure. Jefferies’ action of looking out of…
Henderson, and the Sheriff, Mr. Peters, who bring in Mr. Hale, their prime witness. The wife’s, Mrs. Peters and Mrs. Hale, tag along so that they can get clothes for Mrs. Wright, and to bring her a distraction in jail. Mrs. Wright has been taken to jail because she is the prime murder suspect for her husband’s murder. When the men arrive to the farmhouse, they do not think they will find anything of importance in the kitchen or anywhere downstairs, so the men decide to go upstairs to look for anything incriminating towards Mrs. Wright. Once the women are downstairs alone, Mrs. Hale start to remember how Mrs. Wright used to be before she married Mr. Wright, she would always be singing and cheerful but now she is just a serious and quiet person.…
Expressionism is defined as using a art form or drama as a means for depicting subjective emotions and responses. Forms of expressionism often connect to the artists own life which could be said about Orson Welles’s 1941 film Citizen Kane. It is widely thought that Citizen Kane is an unauthorized biography about the life of William Randolph Hearst, a well known newspaper tycoon from the time the film was made. The film is perhaps a dramatized account of a man who controls the people through controlling the media, giving him the feeling of being a God. This is heavily supported by the imagery in the film such as the huge campaign posters of Charles Foster Kane’s face looking out to the crowd of supporters.…
In Alfred Hitchcock’s film “The Birds,” the idea of feminism can be said to have a strong impact and importance throughout the film. This idea is brought out from Hitchcock’s depiction of the women in the film. It can be said that Hitchcock is against feminism from his metaphorical use of the bird attacks to punish the women for stepping into male realms. In the analysis of feminism among the female characters, I will use mainly the characters Melanie Daniels and Lydia Brennan since they are the main ones in showing a contrast relating to feminism. To make clear, feminism can be simply thought of as the idea of women being equal to men on social, political, and economic grounds.…
Wording, clothing, and sex were some of the most reoccurring problems the Production Code Administration had with Alfred Hitchcock’s 1954 film Rear Window. Throughout their communications, the PCA and the filmmakers discuss scenes that have subtle sexual undertones, risqué costumes, and wordings that the PCA found to be unacceptable. The correspondence between the filmmakers and the PCA begin around November 1953 and go on until around April 1954. Most of the letters are between Paramount Pictures producer Luigi Luraschi and PCA’s Joseph Breen. Most of the concerns the PCA had involved things they believed to be overly sexual.…
The use of close up and head-shot techniques assist in capturing a direct point of view of both character’s body language and facial expressions. These expressions are manufactured to portray a dismal, intimate moment to pull at the audience 's heart strings. Moreover, when Sarah-Jane’s coworker enters she immediately assumes Annie is the maid. Annie identifies herself as Sarah-Janes nanny. Annie’s race allows her to “perform in order to sustain her daughter’s deception” and performance of a white woman.…
Strangers on a Train is one of Alfred Hitchcock’s many masterpieces of the 1950’s. This thriller goes through the life of young Guy Haines, an aspiring tennis player and hopeful politician attempting to change both his lifestyle and social class. However, Guy isn 't alone, he is matched with a counterpart, Bruno Antoine, a young and mentally unstable aristocrat living with his very wealthy parents. While the progression of the movie can be seen as simple as an intense and invigorating thriller, there is a deeper and more underlying meaning to the entirety of the movie. Looking at Hitchcock’s Strangers on a Train through the marxist and psychoanalytic lenses suggests that the story is truly about wealth and class’s subconscious influence on…
Evan Prunty 1 Outline Introduction Hitchcock's Themes Symbolism Hitchcock and David Fincher Use in Their Films Hitchcock's films directly influenced and relate to David Fincher's Gone Girl Conclusion Evan Prunty Professor Kimberly Neuendorf COM 320 15 October 2015 Introduction David Fincher?s modern masterpiece of cinema Gone Girl premiered around this time last year. Around that time, I was in COM 221 an intro to film class that is offered at CSU. In the class we had just viewed Alfred Hitchcock's film Strangers on a Train. Being lucky enough to view these films in relative sequence I began to see the distinct thematic connections between the two directors work.…