The stylistic approach to every flashback varied according to the narrator being interviewed about Charles Foster Kane. This adds to the characters complexity by painting him a deplorable but also as a victim. The last sequences in the film leave the audience unsure about how to feel about Kane. As he stands sad, decrepit and solitary before all his servants after tearing his luxury filled lounge apart, one can’t help but feel remorse and sadness for a man who spent his whole life seeking power and control. Chapter 3 in Corrigan and White’s The Film Experience explained the different elements of cinematography. It begins by describing the origins of cinematography by using methods like chronophotography and eventually film to create apparent movement. During the time period in which Citizen Kane was filmed, it must have been filmed on celluloid film stock which was not replaced with safety film until 1952. Citizen Kane was also shot on panchromatic film stock which allowed for more a wider
The stylistic approach to every flashback varied according to the narrator being interviewed about Charles Foster Kane. This adds to the characters complexity by painting him a deplorable but also as a victim. The last sequences in the film leave the audience unsure about how to feel about Kane. As he stands sad, decrepit and solitary before all his servants after tearing his luxury filled lounge apart, one can’t help but feel remorse and sadness for a man who spent his whole life seeking power and control. Chapter 3 in Corrigan and White’s The Film Experience explained the different elements of cinematography. It begins by describing the origins of cinematography by using methods like chronophotography and eventually film to create apparent movement. During the time period in which Citizen Kane was filmed, it must have been filmed on celluloid film stock which was not replaced with safety film until 1952. Citizen Kane was also shot on panchromatic film stock which allowed for more a wider