The Duality Of Ophelia In William Shakespeare's Hamlet

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Although Gertrude says the branch broke and swept Ophelia down the river, the church denies her a full Christian burial on the grounds that she killed herself.

Prevailing wisdom is that one of two things is at work here: Either an inconsistency in Shakespeare's writing, which is not uncommon — his other works are fraught with them, though Hamlet far less than most. Or Shakespeare decided to up the ante on Hamlet's guilt. Gertrude could have not known the whole truth when she reported to Laertes and Claudius. She might have been trying to spare Laertes or to diffuse another tantrum on his part. The placement of the priest's admonition supports the suicide pretty solidly. So why did Ophelia do it?

Is Ophelia driven mad by her love for Hamlet,
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Hamlet is subject to the desires of his state, and he will necessarily break her heart. Should Ophelia relinquish her virginity to Hamlet, she would undoubtedly be shamed. A brother's expectation is that his sister is chaste, that she has no worth of her own except in her sex.

Polonius asks Ophelia what her relationship with Hamlet is, whether the young man has made advances to her. She answers that Hamlet has told her he loves her and that she believes him. Polonius calls her a "green girl," accusing her of being too naive to judge Hamlet's sincerity. Ophelia pleads with her father, "I do not know, my lord, what I should think." Her father instructs her not to think, to remain a virgin lest she shame her father.

Polonius has just told his son, "To thine own self be true." Yet he has negated any possibility that Ophelia might own her own self, that she might have a will apart from her men. The father offers no such choices to his daughter.

Women of Ophelia's time were trained to be chattel to their men. They were taught needlecraft, righteousness of character, servitude. But they were not encouraged to write or read or reason. The assumption that both Laertes and Polonius make is that Ophelia is a virgin, that she is theirs to sell to a husband for the bride wealth she can
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He tells her to get her to a nunnery, a statement that implies that she is no better than a whore. When he meets her in the corridor and asks her where her father is, he knows she cannot answer. He knows Old Polonius is standing nearby, but she cannot reveal his whereabouts. Ophelia answers feebly, "At home, my lord," and her answer throws Hamlet into a frenzy because she has answered dishonestly. He has set her up. She has no other choice but to say that her father is at home; she is forced to lie and thereby to incur Hamlet's disapproval.

In her essay "The Warrant of Womanhood, Shakespeare and Feminist Criticism," Ann Thompson points out that male characters in Shakespeare have a limited perception of the female characters. Shakespeare, says Thompson, is sympathetic to women in this area; the playwright goes so far as to let his audience know that he intended for the male character to misunderstand the female, that the male character is often dead wrong about the female. The men completely misread their women, and the consequences are often tragic.

Such is Ophelia's case. Her men are wrong about her. They make assumptions and then they make demands based on those assumptions, but there is no way Ophelia can meet the demands because the underlying assumptions are

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