The Castle Of Otranto Gothic Novel Analysis

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ABSTRACT
The gothic novel, albeit not considered high literature, counts among the most distinctive literary genres. The literary form was at its prime in late 18th century, although its days of glory have past elements of the Gothic can be found even in contemporary literature. Over the centuries, several sub-genres of the gothic novel have developed, including Southern Ontario Gothic. This branch of the Gothic is characterized by criticism of social attitudes towards race, politics, gender and religion specific for that region, in combination with elements of the supernatural, magic realism and satire. "Gothic" has come to mean quite a number of things by this day and age. It could mean a particular style of art, be it in the form of novels, paintings, or architecture; it could mean "medieval" or "uncouth." It could even refer to a certain type of music and its fans. What it originally meant, of course, is "of, relating to or resembling the Goths, their civilization, or their language”. The aim of this paper is to explore and illustrate the different kinds of gothic elements in the novel The Castle of Otranto. The Gothic novel took shape mostly in England from 1790 to 1830 and falls within the category of Romantic literature. It acts, however, as a reaction
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The strong imagery of horror and abuse in Gothic novels reveals truths to us through realistic fear, not transcendental revelation. Eve Kosofsky Sedgwick writes about the same idea in her essay, "The Structure of the Gothic Convention," and she adds that the idea of a protagonist having a struggle with a terrible, surreal person or force is a metaphor for an individual's struggle with repressed emotions or thoughts. Personifying the repressed idea or feeling gives strength to it and shows how one, if caught unaware, is overcome with the forbidden

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