Furthermore, many different conclusions can be made from the earlier statement. One can assume that the emergence of skin-color privilege is due to European imperialism and colonialism or one could wrongly assume it was due to western culture emerging without influence or knowledge of people of color. When I think of classical figurative (containing a human figure) art images like Girl with a Pearl Earring by Johannes Vermeer, and The Birth of Venus by Sandro Botticelli. What doesn’t come to mind is Paolo Veronese’s Judith and Holofernes or one of the plentiful adaptations of a bible story picturing the brown magi arriving at jesus’
Furthermore, many different conclusions can be made from the earlier statement. One can assume that the emergence of skin-color privilege is due to European imperialism and colonialism or one could wrongly assume it was due to western culture emerging without influence or knowledge of people of color. When I think of classical figurative (containing a human figure) art images like Girl with a Pearl Earring by Johannes Vermeer, and The Birth of Venus by Sandro Botticelli. What doesn’t come to mind is Paolo Veronese’s Judith and Holofernes or one of the plentiful adaptations of a bible story picturing the brown magi arriving at jesus’