The chapter starts out with two epigraphs. The first epigraph describes that smart and creative people push themselves into the extremes that ultimately results in death. This epigraph foreshadows the ending of the individuals in this passage as well as Chris. The second epigraph outlines the difference between going out into the woods and going out into the Alaskan woods. Both epigraphs form a cause for why these individuals went to Alaska. All of the men were intelligent and they wouldn’t settle for “Michigan (or Faulkner’s Big Woods in Mississippi, for that matter)” (70). Krakauer uses these specific epigraphs to make sense of Chris’s and others actions. It continues to give explanations to the personality of Chris. Krakauer also attempts to draw comparisons between Chris and the other men mentioned in the chapter. Krakauer first describes Gene Rossellini's story in Alaska. Rossellini came from a well-off family and had a great education. “He sustained a perfect 4.0 grade-point average through high school and college” (73). Later in life, Rossellini begins a 30 year experiment of living as if it were the Stone Age. Krakauer discusses how McCandless had also come from a wealthy family and graduated from Emory University. Although their adventures might be different, they have a similar background and education. Krakauer draws the analogy between Waterman and Chris. Both men had severe issues with their fathers. Waterman’s father “essentially abandoned his sons following the divorce” (76) and Chris’s father abandoned his other family following his divorce from his first wife. Krakauer finishes the chapter by comparing Chris and Carl McCunn. McCunn was described as a smart guy but a little off, lacking common sense. “Carl was a friendly, extremely popular, down-home sort of guy...But there was a side to him that was a little bit dreamy, a little bit out of touch with reality” (81). Krakauer creates this trend in the book with Chris. People who accompanied Chris along the …show more content…
In the chapter’s beginning, he shares the Alaskan locals’ opinions. Many mark Chris as one more “kook” (71) but “McCandless ended up dead, with the story of his dumbassedness splashed across the media” (71). Krakauer’s inclusion of the opinions makes the tone of the chapter serious yet scrutinizing. The tone extends insight into why Chris left and was compelled to Alaska. But at the end of the chapter Krakauer sets Chris apart from the others. “McCandless was something else--although precisely what is hard to say. A pilgrim, perhaps” (85). Even with the multiple comparisons Chris is different and the reader is left to decide whether he is unique or if he is “just another case of underprepared, overconfident men bumbling around out there”