In the explosive final moments of Otomo Katsuhiro’s Metropolis Tima harnesses the mighty power of the Ziggurat, to punish Duke Red and the residents of the city for there cruelty towards the robots who serve them Even though she has only beenoperational for a few days the anti-robot sentiments in Metropolis are so pervasive that she is aware of these attitudes from very early on; unconsciously, she knows that its a bad thing to be a robot within the city, and she initially denied, the idea that she is in belong to such a category, using her human like appearance and her intensely experience of emotions as reasons why she must be human, Duke red, explains to her that the emotions of love it feels are not real—merely misconceptions she has because
