What set Frost apart from the other poets of his time was that fact that he continued to write in traditional verse forms and metrics even through the poetic movements and fashions of his time. Some even say that “Frost stands at the crossroads of 19th-century American poetry and modernism.” In Frost’s poems After Apple Picking and Acquainted With the Night are both example of how he…
Robert Frost's "Design" is a two stanza poem that paints a sinister scene that is unfolding in nature. At the dawn of morning, there is a "dimpled spider, fat and white, on a white heal-all holding up a moth. " The moth is holding onto this white flower called the heal-all trying to escape the spider but death is surely to come. The white heal all flower is regarded as a safe haven or refuge with the power to heal. How ironic to die on a flower with medicinal capabilities.…
Frost’s constant experience with loss of family members, along with his witnessing the global effects of two world wars influenced his poetry. He incorporated themes of darkness, isolation, and grief, as well as questions about life’s purpose and what might come after our deaths. For this reason, Frost’s poetry is still widely celebrated. It addresses many of the questions most people want to ask but can not find the words for, and, in many cases, his works also lead the reader to finding the answers they…
At the beginning of the poem, Taylor is observing the sky. His thoughts become puzzled as he looks at somewhere that’s described as heaven. He says astonishingly, “A Golden Path my Pensill cannot line, / From that bright Throne unto my Threshold ly.” (lines 3-4).…
To start, the structure of his poem is slightly more free-versed with 25 lines, each with eight syllables each. The poem has a tone considered to be colloquial and contains a varied rhyme scheme. Although Frost also inspires to be steadfast like the star, his aspirations are based on morals or political thought in his case, instead of love. Like Keats, he starts with an apostrophe; however, he adds “(the fairest one in sight)” lightheartedly, amusingly alluding to the children’s tale of wishing on a star. Also, from this, we can infer that he wants a wish from this particular star.…
This shows Frost's overall indifference to time, in that though he sees the time, he does not care. When all of this figurative language is added together, it deeply describes Frost's depression in a way that prose would not be able…
In Frost’s poem Nothing Gold Can Stay, he describes how natures changes. He shows this through symbolism, imagery, and allusion. In his poem he supports a message that all beautiful things eventually fade. Frost has a tone in his poem that as time goes on it brings a certain type of grief. Frost’s poem uses nature symbolically that nothing good that happens will last.…
However, the deep bond that the narrator has created with the natural world, exposes man’s attempt to alienate himself from society. Man’s creation of a bond with nature, especially with the night, reveals the loneliness and solitude that he feels, and also exposes the rejection he feels from the rest of society. The repetition of the phrase “I have been” throughout the whole poem, shows the way in which the feelings of sadness that have evolved in the narrator, are irreversible and will be present eternally. The choice of the verb tense of the phrase, reveals Frost’s belief that once man sinks into loneliness and depression, very rarely is it possible for him to revert back to his original state of mind. The way in which nature is capable of revealing feelings of loneliness and solitude is also highlighted in “Birches”, when the narrator states that “life is too much like a pathless wood”.…
Frost is the type of writer to keep religion and politics away from his poetry, and that is why he is so in tuned with nature throughout most of his poems because he makes it his focal point. The scenery and lifestyle of New England may seem generic and simple, but Frost put a deeper and darker meaning to all his poems out of plain sight. Even though “Fire and Ice” and “Nothing Gold Can Stay” convey different meanings, each poem uses the imagery of Nature and similar structure to convey their themes. In “Fire and Ice”, Frost wants to pose an idea of the wonder of his exact interpretation of his poem.…
Robert Frost’s poem, “The Road Not Taken,” is a descriptive poem about life and the struggles of choosing the path in life that will be best for the narrator. There are many times in life where decisions that are made will affect the rest of a person’s life. However, the narrator of this poem has reached a point in his life where he cannot go any farther without making a decision that will change the rest of his life. Throughout the poem Frost uses symbolism.…
Frost’s view on human nature is that one must return to simpler times through the imagination in order to deal with the responsibility that comes with adult life. The problem, why the birch trees bend over, and the solution, to take a moment and swing on them, evidently reveal one’s navigation from childhood to adulthood. Frost supports his argument by using metaphor to compare reality and imagination. In reality, the physical impact of the ice storm on the birch trees is the reason they’re weighed down, yet Frost makes it seem as if the harshness of everyday life is the reason the birch trees bend. As his solution, he says he likes to think that one has been swinging on them, which reveals the imagination and playfulness behind the…
The poem incorporates natural imagery as a method to challenge the reader to delve deeper into its intentions. Within the poem, Frost crafts an atmosphere “Of easy wind and downy flakes” (12). Often a signature of his work, Frost uses imagery to elaborate on a deeper messages behind a seemingly familiar scene. In literature, nature often acts as a mysterious force with alluring capabilities. Imagery such as this, built upon the quiet flow of soft words, evokes a somnolent yet mystifying atmosphere, appropriately describing the enticing quality of the depicted woods.…
Robert Frost’s “Desert Places” is a somber, introspective journey through a barren landscape choked by the smothering presence of snowfall. Although the poem begins with a lens trained on the surrounding landscape, the narrator’s thoughts eventually turn inward by the final stanza as the narrator compares the current frozen landscape to the vast desert of isolation and loneliness within himself. Frost utilizes repetition to both emphasize the rhythm of snow and night descending and to underscore the sensations felt by the narrator as he travels by his lonesome on the path before him. As the poem closes, the narrator comes to a realization which is—in a way—comforting but equally frightening: the pervading chill and darkness around cannot scare…
He echoes popular apocalyptic themes as much to control his own anxiety of endings as to parody the fears of others. Frost’s preoccupation with the intricacies of form was his response to anxieties that were in his life. To Frost, life was a long extended challenge of prowess, whose form he would come upon “later in the dark of life.” Many of the characters in Frost’s poems are quite lonely and dark. Frost’s characters live at the edges of things, whether it is cycles of nature, such as the ends of seasons, physical ends, such as dying or death itself, or metaphysical dead ends.…
His use of this flexible iambic meter does a wonderful job of emulating the dramatic emotion of the narrator to the reader. One point, in particular, really exemplifies Frosts’ use of enforcing meaning through his use of form. In the last three lines, “Two roads diverged in a wood, and I-/ I took the one last traveled by/ And that has made all the difference,” (Frost, 1916) yields this sense of uncertainty towards choices: it is serious and contemplative.…