Mimicry And Man By Homi Bhabha Analysis

Improved Essays
The term Mimicry underlines the gap between the norm of civility presented by European Enlightenment and its colonial imitation in distorted form. .This notion is based on Foucault‘s term that was based on Kant‘s notion. Bhabha‘s term mimicry is a part of a larger concept of visualizing the postcolonial situation as a kind of binary opposition between authority and oppression, authorization and de-authorization. He states ahead that all modes of imposition including the demand on the colonized to be like the colonizer results in mimicry. According to him, the mode of asserting authority over the colonized gave rise to mimicry. He further asserts that mimicry can be taken as a way of eluding control that also gives rise to postcolonial …show more content…
He notes that when English administers dreamed of converting India to Christianity at the end of the 18th century; they did not want their colonial subjects to become too Christian or too English. Their discourse foresaw a colonized mimic who would be almost the same as the colonist but not quite. However, since India‘s mimicry of the English blurred the boundary between the rulers and ruled, the dream of anglicizing Indians threatened to Indianite Englishness- a reversal the colonists found intolerable. Mimicry is therefore a state of ambivalence and undermines the claims of imperial discourse and makes it impossible to isolate the racialized essence of either the colonized or the colonizer. …show more content…
This anxiety is matched by mimicry, with the colonized adopting and adapting the colonizer‘s culture. But this mimicry is not slavish imitation and the colonized is not being assimilated into the supposedly dominant or even superior culture. According to Bhbaha, mimicry is an exaggerated copying of language, culture, manners and ideas. And this exaggeration means that mimicry is repetition with difference, and so it is not evidence of the colonized‘s servitude. This mimicry is also a form of mockery as Bhabha‘s postcolonial theory is a comic approach to colonial discourse because it mocks and undermines the ongoing pretensions of colonialism and empire. In short, mimicry is one response to the circulation of stereotypes. The comic quality of mimicry is important because colonial discourse is serious and solemn, with pretensions to educate and improve. Bhabha says that mimicry represents an ironic compromise between two ideas- that things are eternally the same and that there is continual change (1994:86). Homi Bhabha finds mimicry as central to colonial discourse. He defines colonial mimicry in following

Related Documents

  • Improved Essays

    The Church of Please and Thank You “One of the big moments in the spread of English took place in India in 1835. [British politician] Thomas Babington Macaulay proposed that English be used to create a class of Indian middlemen who would be sympathetic to British interests, without the necessity of large numbers of British citizens coming out and running the show” (Traves 102). As you can see, English has impacted different cultures over the years. As English continues to grow over time, English has become a way to communicate with foreigners to gain business. However, it can be a way to have less cultural differences.…

    • 1630 Words
    • 7 Pages
    Improved Essays
  • Improved Essays

    In Imperial Encounters, Roxanne Doty analyzes the issue of North-South relations and how their respective identities have been constructed via the discourse that took place during their encounters. She pays particular attention to the dominant (“imperial”) mode of discourse and representation, and how its framing made possible many of the acts that took place in the colonial histories as well as subconscious though regarding identity that is promulgated in today’s speech. However, despite the landmark significance of her work, her conclusion points out a particular matter that I believe is important to address: how this information is to be used. Doty calls her work “an inventory…of some of the representational practices that have enabled the North to ‘know’ both itself and the South” (163).…

    • 503 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    The illustration, Narrative, of a five years ' expedition, against the revolted Negroes of Surinam, in Guiana, composed by John Gabriel Stedman in 1796 depicts a Dutch soldier who is John Gabriel Stedman, himself, standing over a fallen slave from a Dutch slave colony of Suriname, South America, in 1773. This illustration depicts the empowerment that the Dutch had over the “maroon” people of the Dutch village. Not only do you see the empowerment that the Dutch had embodied, one may see the difference between wealth and poverty when examining this image. This becomes evident when looking at the clothing that they are both wearing. John Gabriel Stedman pictures himself in this portrait and he is fully clothed in his military attire, which covers…

    • 826 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Malcolm Gladwell’s piece “Black Like Them” discusses the differences between West Indians “blacks” and American “blacks.” Within the article, Gladwell discusses the stereotypes brought up when it comes to the argument of West Indian “blacks” being the same as American “blacks.” Being half West Indian, half American and trying to take a position in Gladwell’s article could be rather difficult. Once a position is chosen, you must then speak higher of the culture that you identify with more, thus belittling the other. Currently in the society that we are living in we must conform into what society has shaped us to believe.…

    • 779 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    People of today’s society, and even from one hundred years ago, have been victim of wanting to be “normal”, usual, and most important, accepted. This drive and fear of rejection have been the catalysts of the formation of civilizations and industries abroad. This pattern can even be seen in things such as literature and the arts; characters in such things are either rejected or have rejected someone for the sole purpose of their own benefit. The theme depicted in the book To Kill A Mockingbird and the musical The Phantom of the Opera is the struggle for the individual to live openly in a society that has rejected his flawed existence. Some of the characters in To Kill a Mockingbird had very descriptive images of them that helped to support…

    • 1221 Words
    • 5 Pages
    Improved Essays
  • Superior Essays

    Colonialism in The Native Problem In Robert Sheckley’s The Native Problem, Darko Suvin’s definition of cognition and estrangement can be used to explore contemporary ideologies about colonialism. Sheckley examines the effects of colonialism projected into a futuristic setting and aspects of colonialism are both changed and unchanged in different ways.…

    • 1243 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    Monchalin Chapter Four Reading Reflection In chapter four of The Colonial Problem: An Indigenous Perspective on Crime and Injustice in Canada, Monchalin addresses the presence of colonialism in the past as well as its presence today. Monchalin describes how various doctrines such as the Doctrine of Discovery were created as a means of establishing settler dominance over Indigenous communities. Multiple individuals, including Tomas Hobbs and John Locke developed theories that worked to justify the colonization of Indigenous persons. By framing Indigenous persons as “nasty” and “brutish” Hobbes reveals that they are in need of guidance from Europeans to become civilized (Monchalin 66).…

    • 932 Words
    • 4 Pages
    Improved Essays
  • Superior Essays

    Colonialism helped to destruct and de-civilize the continent of Africa while also serving as the basis for African-Americans to establish themselves in “uniquely and innovative ways” (Gomez 184). Although Colonialism was used to “civilize” the continent of Africa, it was the harsh effects that transformed the African Americans into using the ideologies of art in the Harlem Renaissance. Because “black people have always maintained a dynamic and vibrant life of the mind”, Colonialism help serve as a challenge to overcome for greater success and implant significant expressions through powerful movements like the Harlem Renaissance (Gomez 184). Colonization is the idea of "thingification" or the process of turning the colonizer into a thing by denying him his humanity as "the colonizer sees the other man as an animal, treats him like an animal and transforms himself into…

    • 1171 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    In his work on analyzing the racial contract, African-American philosopher Charles Mills points out a very dangerous feature where many of the current mainstream textbooks shared: they intentionally choose to ignore or failed to emphasis the role that race factors played throughout history. He argues that since most of the educational materials that we are using have been strongly influenced by the white dominated culture, therefore, it is no surprise to see that we are programmed to study racial contents in limited terms through a narrow angle. Mills claims the “white privilege” has indirectly manipulate and discourage us from thinking outside of the box and that we were stuck in understating social aspects of our lives in a pre-fixed environment:…

    • 1039 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    However, the actor must always remain true to himself (Stanislavski 85-86). Stanislavski also mentioned that the actor will always remain true to himself in Building a Character. By repeating this technique in his third book, he creates emphasis on this and wants actors to know that they should never pretend to be the character, but rather they should bring the character to life by being true to who they are. I agree with this because when actors pretend to be the characters, they often end up doing poor jobs because the duplicate can never be as good as the original. For the performance to be good, it has to be…

    • 967 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    The contemporary postcolonial literature by Ngũgĩ wa Thiong'o, Hanif Kureishi, M. Nourbese Philip and Zadie Smith combines the concepts of language and gender to show differences in cultural identity and, especially expose the difficulties these differences bring in the assimilation of the native culture and the colonialist culture. Ngũgĩ wa Thiong'o, Kureishi, Philip and Smith all have different approaches and experiences when it comes to the intersections of these concepts and cultures, and their writing shows how language and gender creates a division between the colonists’ culture and the native cultures of the authors. Ngũgĩ’s essay “The Language of the African Literature”, shows how the introduction of the English language into his…

    • 1455 Words
    • 6 Pages
    Great Essays
  • Great Essays

    Julie Otsuka’s novel, The Buddha in the Attic, is a communal narrative of the Japanese Picture Brides who immigrate to the US in the early 1900s. While their narrative is about the immigrant experience, concepts from postcolonial theory can be adapted and are applicable to their story. Throughout the novel, the Picture Brides are shown sharing similar symptoms of that of a colonized subject, embodying what Lois Tyson explains as a “colonized consciousness” (249). According to Tyson, “colonial subjects usually practice mimicry and experience unhomeliness [emphasis in original]” (249), two symptoms I was able to recognize upon analyzing the Picture Brides within the novel. However, the major difference is that the Picture Brides are not colonial…

    • 1821 Words
    • 8 Pages
    Great Essays
  • Improved Essays

    Santha Rama Rau Analysis

    • 1105 Words
    • 5 Pages

    Looks, race, style, possessions; these are all what we first notice about people. And who do we first compare them to? We compare them to ourselves or other figures in our societies. Why do we perceive people and events around us differently?…

    • 1105 Words
    • 5 Pages
    Improved Essays
  • Superior Essays

    In the extract from the essay ’’ The new empire within Britain’’ Salman Rushdie, an Indian born Briton and author, explores the subjects of institutional racism, the subconscious racist nature of the English language and the stains that the time of imperialism has left on the British mentality. To gather Rushdie’s main thesis, one need only to look at the title: “The New Empire within Britain”. Rushdie states: “It sometimes seems that the British authorities, no longer capable of exporting governments, have chosen instead to import a new empire, a new community of subject peoples to whom they think, and with whom they can deal in very much the same ways as their predecessors thought of and dealt with’’ (p.1, ll.4-9) The Britons once dominated…

    • 941 Words
    • 4 Pages
    Superior Essays
  • Great Essays

    In The Colonial Harem, Algerian author Malek Alloula analyzes the French colonial gaze on his native country and particularly its women through the historical record of postcards made from 1900 to 1930. Alloula argues that the postcards were a form of symbolic assault on the veiled and private women of Algeria, who were played in them by paid models, as denizens of the colonial fantasy of the harem, as created by Orientalism. In the first chapter “The Orient as Stereotype and Phantasm,” Alloula outlines his mission to respond to the colonial gaze as an Algerian by analyzing the mechanisms used to create the desired phantasm or phantasy of the exotic, and often sexual, commoditized and presented as indisputable reality in the form of photo postcards.…

    • 1789 Words
    • 8 Pages
    Great Essays