Her significant contribution to feminism was to have helped free women from the tyranny of the corset. More precisely, Duncan advocated naturalness; her dances were characterized by simplicity and economy of means, qualities that applied not only to her choreography but to her themes, scenery, and costumes (Au 89). In an age still dominated by the dictates of conventions, Duncan used a backdrop of simple grey-blue or blue curtain on stage and dared to dance uncorseted (Au 90). Dressed in a loose-fitting, Greek tunic, she rejected not only the ballerina’s tutu, pointe shoes, and corset per se, but also everything it symbolized: the physical and psychological constraints imposed upon women by the society and culture. She wanted to free the body and reveal its movement. “She spoke of her dancing not as entertainment but as art, with a high moral purpose. Most of all, she insisted upon the essence of dance as movement”
Her significant contribution to feminism was to have helped free women from the tyranny of the corset. More precisely, Duncan advocated naturalness; her dances were characterized by simplicity and economy of means, qualities that applied not only to her choreography but to her themes, scenery, and costumes (Au 89). In an age still dominated by the dictates of conventions, Duncan used a backdrop of simple grey-blue or blue curtain on stage and dared to dance uncorseted (Au 90). Dressed in a loose-fitting, Greek tunic, she rejected not only the ballerina’s tutu, pointe shoes, and corset per se, but also everything it symbolized: the physical and psychological constraints imposed upon women by the society and culture. She wanted to free the body and reveal its movement. “She spoke of her dancing not as entertainment but as art, with a high moral purpose. Most of all, she insisted upon the essence of dance as movement”