These readings are an analysis beyond the aesthetics and common commentary and more focused on the ideologies and goals of the artists and the movement. They both also take an interest in the ways in which Picasso’s painting and the Dada and Surrealist movements engage in issues of a shift in power. It is described that Picasso’s portrayal of feminine figures which is said to include dark-skinned individuals regardless of gender, as negative is rooted in a fear of these figures gaining agency and achieving a sort of power. However with different intentions, similarly related, the painters Gardiner writes about are largely looking to remove the capitalist powers and leadership and replace it with state of anarchy
These readings are an analysis beyond the aesthetics and common commentary and more focused on the ideologies and goals of the artists and the movement. They both also take an interest in the ways in which Picasso’s painting and the Dada and Surrealist movements engage in issues of a shift in power. It is described that Picasso’s portrayal of feminine figures which is said to include dark-skinned individuals regardless of gender, as negative is rooted in a fear of these figures gaining agency and achieving a sort of power. However with different intentions, similarly related, the painters Gardiner writes about are largely looking to remove the capitalist powers and leadership and replace it with state of anarchy