One year later in 1886, the musician moved on to become the third Musical Director (Kapellmeister) at the Munich Court Opera (Muncher Hooper).
He was Inspired by literature and his travels to Italy, and as well as by the composer Franz Liszt, Strauss he dedicated himself at this time to the study of the symphonic composition and he reached the peak in his art of orchestration. Strauss moves to Weimar in 1889. He was appointed 2nd Kapellmeister until 1894 and he met a great challenge as a new conductor. With the premieres of “Don Juan”, “his death and Transfiguration” and “Macbeth”, Strauss’ fame as a composer grew. His first opera was “Gontram” he raised only moderate success, but he also nonetheless managed to compose …show more content…
Strauss l left for Munich in 1894 to assume his role of first Chapel Master. In 1897 his son Franz was born. Up until the date of 1898, his success lay primarily in tone poems (such as “Thus spoke Zarathustra”). It was through these that Strauss had succeeded in becoming the internationally renowned. Despite this success, he still did not get the position as the Munich General Music Director. He reacted to this in his own way – but by going to Berlin and composing his own Symphony based upon his own life: the “Sinfonia Domestic”. With the premiere of “Salome” in Dresden in 1905, Strauss defined his term modern opera music for his own supporters as well as his own