By casting Hortense, how- ever temporarily, as Caroline's "mother," the narrative reveals the extent to which a certain construction of the "maternal" serves the interests of what Luce Irigaray identifies as a phallic economy. As Irigaray notes, patriarchal society operates in the name of the father and organizes all social property so that it benefits the (male) head of the family ("Power of Discourse" 83); a mother, "marked with the name of the father," both reinforces and perpetu- ates the patriarchal
By casting Hortense, how- ever temporarily, as Caroline's "mother," the narrative reveals the extent to which a certain construction of the "maternal" serves the interests of what Luce Irigaray identifies as a phallic economy. As Irigaray notes, patriarchal society operates in the name of the father and organizes all social property so that it benefits the (male) head of the family ("Power of Discourse" 83); a mother, "marked with the name of the father," both reinforces and perpetu- ates the patriarchal