“This is the romantic Taiga, not a living soul for hundreds of miles around.” (Happy People, Winter, 24:59-25:04). The soundtrack also adds a level of these feelings as well. However, not everyone feels this way, as Soloviev, one of the film’s stars talks about the stark realities of living conditions in the Taiga. “It was not like that island on TV where they are all heroes and catch and share crabs or scorpions. Me, I was really struggling for my life […] Because snow fell and I had no winter clothes, there was no stove in the hut just bread rusks to eat.” (Happy People, Spring, 20:07-20:27). This is a direct contrast to what this film ultimately portrays, even on a subconscious level and what Soviet-era propaganda said about the Arctic. The latter would have clearly reached Soloviev as he moved to the village of Bahkta in 1970. (Happy People,
“This is the romantic Taiga, not a living soul for hundreds of miles around.” (Happy People, Winter, 24:59-25:04). The soundtrack also adds a level of these feelings as well. However, not everyone feels this way, as Soloviev, one of the film’s stars talks about the stark realities of living conditions in the Taiga. “It was not like that island on TV where they are all heroes and catch and share crabs or scorpions. Me, I was really struggling for my life […] Because snow fell and I had no winter clothes, there was no stove in the hut just bread rusks to eat.” (Happy People, Spring, 20:07-20:27). This is a direct contrast to what this film ultimately portrays, even on a subconscious level and what Soviet-era propaganda said about the Arctic. The latter would have clearly reached Soloviev as he moved to the village of Bahkta in 1970. (Happy People,