egardless of family history, race, or religion simply by working hard enough. Frequently, “success” is equated with the fortune that the independent, self-reliant individual can win. In The Great Gatsby, Fitzgerald examines and critiques Jay Gatsby’s particular vision of the 1920s American Dream. Though Fitzgerald himself is associated with the excesses of the “Roaring Twenties,” he is also an astute social critic whose novel does more to detail society’s failure to fulfill its potential than it does to glamorize the “Jazz Age.”
As a self-proclaimed “tale of the West,” the novel explores questions about America and the varieties of the American Dream. In this respect, The Great Gatsby is perhaps that legendary opus, the “Great American Novel”—following …show more content…
His previously varied aspirations (evidenced by the book Gatsby’s father shows Nick detailing his son’s resolutions to improved himself) are sacrificed to Gatsby’s single-minded obsession with Daisy. Even Gatsby realized when he first kissed Daisy that once he “forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God” (110; ch. 6). Finally five years later, Gatsby reunites with Daisy, takes her on a tour of his ostentatious mansion, and pathetically displays his collection of British-made shirts. Significantly, that much longed-for afternoon produces not bliss but …show more content…
Almost five years! There must have been moments even that afternoon when Daisy tumbled short of his dreams—not through her own fault, but because of the colossal vitality of his illusion. (95; ch. 5)
As the novel unfolds, Gatsby seems to realize that—as he did with his own persona—he has created an ideal for Daisy to live up to. He remains firmly committed to her, even after her careless driving has caused Myrtle Wilson’s death. Only his own needless death at the hands of the distraught Mr. Wilson (led by Tom Buchanan to believe that Gatsby has killed Myrtle) ends Gatsby’s obsession with Daisy.
What Fitzgerald seems to be criticizing in The Great Gatsby is not the American Dream itself but the corruption of the American Dream. What was once for leaders like Thomas Jefferson a belief in self-reliance and hard work has become what Nick Carraway calls “the service of a vast, vulgar, and meretricious beauty” (98; ch. 6). The energy that might have gone into the pursuit of noble goals has been channeled into the pursuit of power and pleasure, and a very showy, but ultimately empty, form of
As a self-proclaimed “tale of the West,” the novel explores questions about America and the varieties of the American Dream. In this respect, The Great Gatsby is perhaps that legendary opus, the “Great American Novel”—following …show more content…
His previously varied aspirations (evidenced by the book Gatsby’s father shows Nick detailing his son’s resolutions to improved himself) are sacrificed to Gatsby’s single-minded obsession with Daisy. Even Gatsby realized when he first kissed Daisy that once he “forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God” (110; ch. 6). Finally five years later, Gatsby reunites with Daisy, takes her on a tour of his ostentatious mansion, and pathetically displays his collection of British-made shirts. Significantly, that much longed-for afternoon produces not bliss but …show more content…
Almost five years! There must have been moments even that afternoon when Daisy tumbled short of his dreams—not through her own fault, but because of the colossal vitality of his illusion. (95; ch. 5)
As the novel unfolds, Gatsby seems to realize that—as he did with his own persona—he has created an ideal for Daisy to live up to. He remains firmly committed to her, even after her careless driving has caused Myrtle Wilson’s death. Only his own needless death at the hands of the distraught Mr. Wilson (led by Tom Buchanan to believe that Gatsby has killed Myrtle) ends Gatsby’s obsession with Daisy.
What Fitzgerald seems to be criticizing in The Great Gatsby is not the American Dream itself but the corruption of the American Dream. What was once for leaders like Thomas Jefferson a belief in self-reliance and hard work has become what Nick Carraway calls “the service of a vast, vulgar, and meretricious beauty” (98; ch. 6). The energy that might have gone into the pursuit of noble goals has been channeled into the pursuit of power and pleasure, and a very showy, but ultimately empty, form of