Werff (2014) considers Gone Girl as “the most feminist …show more content…
As Rothman (2014) argues “the heroes and villains in Fincher’s Gone Girl aren’t people but stories.” Nick and Amy are both victims and perpetrators. During the first part of the film, the sympathy to Amy is effected by Amy’s diary that shows how much she has sacrificed for Nick while Nick is unfaithful to her. Nevertheless, after Amy explain the truth and she force Nick to be with her by pregnancy, it seems that Nick who has always been controlled by Amy should be pitied. Thus it can be seen we switch our sides easily just like the uninformed citizens in the film do. And this is exactly the highlight of the film——lets the audience to stand in different angles to consider the issues of marriage and gender. As Morris (2014) claims “By turning cinematic gender stereotypes on their head, Gone Girl just might be asking us to examine our world and our own expectations.” By considering the different interpretations from perspectives of Nick and Amy respectively, the twisty marriage between them seems murky but fascinating. Excellent story, detached editing, perfect performance and thrilling background music —— they combine to make Gone Girl a