Film Analysis: The Man With A Movie

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Over the duration of the course, Movies and Meaning, many movies were presented in class. There are three movies that stood out, The Man with a Movie Camera, Dr. Strangelove and The Conversation. The Man with a Movie Camera uses editing techniques such as collision editing and series editing. Dr. Strangelove uses production design such as location and editing technique such as crosscutting. The movie The Conversation uses sound such as diegetic sound.

Man with a Movie camera, which is sometimes called The Man with a Movie Camera, A Man with a Movie Camera, is a Soviet silent documentary film. It is directed by Dzinga Vertov and is edited by Elizaveta Svilova, his wife. The film does not have any actors and presents urban life in Soviet cities. The documentary is set from dawn to sunset and show Soviet citizens at play and work, as well as interacting with the machinery of modern life. This movie is mainly about various film editing techniques as well as the various processes that are required to make a film.

The Man with a Movie camera uses a wide variety of camera angles as well as editing techniques. This demonstrates the movies abilities and techniques that have been developed and explored in the year 1929. A very important aspect of this film is the ways that the scenes progress as well as the
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This is where the collision of two factors rises to an idea. A conflict of two rather similar, but not completely the same, things that help enhance the message and induce thought to a viewer of a particular film. In the film The Man with a Movie Camera, an example of collision editing would be a woman who’s just waking up, starts to wash her face. The film then cuts to high-pressure water cleaning off a pole. These two scenes match in the way that they both include water and cleaning. The scenes differ in a way that would elicit thought into the viewer into a style of Eisenstein favours and

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