Once a reader has noticed that Poe made “subtle calculations,” they will realize that his poetry was indeed just one rather large calculation (Hannay 1). This calculation allowed Poe to use his style as a tool: instead of the style defining him, he defined the style, molding it so that it would work how he envisioned it (Baudelaire 497). One of the largest parts of Poe’s calculation and style were his complicated rhythms that accompany all of his best pieces (Baudelaire 497). Rhyming was another one of Poe’s favorite literary devices to bend according to his will; his use of rhyme is so notorious that Ralph Waldo Emerson even referred to him as “The Jingle Man” (McGann 120). No matter how much Poe imagines or how deranged the writing is, he always manages to calculate it all out into his own style of rhythm and
Once a reader has noticed that Poe made “subtle calculations,” they will realize that his poetry was indeed just one rather large calculation (Hannay 1). This calculation allowed Poe to use his style as a tool: instead of the style defining him, he defined the style, molding it so that it would work how he envisioned it (Baudelaire 497). One of the largest parts of Poe’s calculation and style were his complicated rhythms that accompany all of his best pieces (Baudelaire 497). Rhyming was another one of Poe’s favorite literary devices to bend according to his will; his use of rhyme is so notorious that Ralph Waldo Emerson even referred to him as “The Jingle Man” (McGann 120). No matter how much Poe imagines or how deranged the writing is, he always manages to calculate it all out into his own style of rhythm and