Despite many negative reviews Peter Evans, the company’s new director, rose to the occasion producing a taut psychological thriller. The casting was superb, with Ray Chong Nee as ‘the Moor’ Othello and Yalin Ozucelik taking on the villainous role of Iago. This dichotomy complemented one another, both physically and psychologically demonstrating the control the puppeteer …show more content…
The mismatched military uniforms, bare feet and tee shirts don’t hold back the rawness of the final scene; Desdemona’s demise. In awe of the ‘breathtaking’ acting Othello calls us to reflect on continuing issues of domestic violence and racism, which lead many lives to fear, jealousy and deception.
In fact, Desdemona’s death was so beautifully done that the pace and dramatic tension after declines at an exponential rate. The lack of remorse and reflection after the atrocious deed broke Othello’s connection with the audience, and consequently, diminished the significance of Othello’s death.
Whilst this untraditional contemporary interpretation may not be everyone’s cup of tea it will certainly leave you on the edge of your seat. Will Othello fall for Iago’s trap? Will Iago be caught out in his deceptive game as a liar and fraud? Can Othello come to his senses before it is too late?
Few moments missed the mark, but the overall production was captivating, dynamic and enthralling.
The play’s theatrical grip has never been less than remarkable;(words to make sense) A forgone conclusion…