In William Shakespeare's play Othello, there is love, betrayal, power, and pride that bring this tragedy together. In the end, there are not as many deaths as Romeo and Juliet but it is definitely just as heartbreaking. Desdemona and Emilia are the two main female characters in Othello. While the two women share many similar traits, being heavily devoted to their husbands, there is a contrast in the women in how they view the world. Desdemona is innocent and her idea of idealism is quite different in comparison to Emilia’s experience in the world and her interest in realism.…
He dies as a result of deeply implemented societal racism and takes Desdemona with him as a result of the anger directed at others, including his fellow characters and society, as well as himself. In all, the death of Desdemona in the play Othello is where the themes of the play culminate. Through her death, William Shakespeare brings to life the harsh realities of pervasive racism and sexism that ran rampant in both the society that Othello lived in as well as Shakespeare himself. In the end, it is Othello’s hamartia, pride, that is brought on by the racism he has faced throughout his life combined with the time period’s sexism that ultimately leads to the destruction of both his and Desdemona’s…
William Shakespeare is known as a master playwright, creating characters such as Romeo and Juliet to Hamlet and Ophelia, but Shakespeare’s Desdemona is usually viewed as one-dimensional. Shakespeare’s Othello is riddled with complex characters, of which Desdemona most definitely falls in the category. Desdemona is viewed as virginal and naive, but in truth is manipulative and power hungry. It is also unknown if she truly loves Othello, as her love stems from pity. The most convincing reason Desdemona is a complex character is her growth through the play.…
Desdemona is depicted as the pure and innocent wife while Emilia is said to be an unpleasant and bothersome wife. Within the play, Desdemona appears to be the ideal wife. As a wife to Othello, she relinquishes her duties to her husband similar to how her mother preferred her husband “before her father,/… that [she] may profess” (Shakespeare 1.3.188-190). With this proclamation Desdemona fulfills her role as a wife, giving all her dedication to Othello after their marriage. Furthermore, others view Desdemona as a beautiful and wholesome woman.…
Desdemona cannot even fathom that there is such a woman that would cheat on their husband, this is enforced by her saying, “I do not think there is any such woman” (Shakespeare). She does not believe that there is such a woman that would be something as horrible as cheating on her partner. This tone of innocence is enforced by Desdemona comparing Othello to “this heavenly light” this shows that she sees Othello as a god or the center of her world. This circles around to back her feelings towards cheating because she is so in love with Othello that she does not see a reason to…
Once the councilmen, Desdemona and Othello left the council chamber, Roderigo was quick to confide in me the intricacies of his volatile feelings for the fair Desdemona. Moving out of the councilmen’s earshot, I directed Roderigo away from the chamber and into the epicenter of the city. The sun was setting on the Mediterranean, casting its pink glow on the narrow canals that dissected the Venetian island into small fragments. “What should I do, Iago? I confess that I am ashamed to be so fond of Desdemona, but it is not in my virtue to amend it,” he lamented.…
In spite of Desdemona’s devotion and loving demeanor toward her husband, Othello’s faults shine through and ultimately…
Throughout the play, Shakespeare utilizes the literary element, characterization, to demonstrate the expectations of the Elizabethan patriarchal society, patriarchal marriages, and the suppression and restriction of feminism. Desdemona, Bianca, and Emilia are the three women in Othello characterized as possession, submissive, prostitutes, temptresses, and powerful. “What conjuration and what mighty magic, for such proceeding I am charged withal, I won his daughter.” In this quote, Othello is referring to Desdemona as some sort of object or trophy that he won as if he was in competition with another individual. Shakespeare uses the quote “Her name that was as fresh as Dian's visage, is now begrimed and black as mine own face.”…
(Shakespeare 161). Even in death, Desdemona keeps Othello’s best interests in mind by not admitting that she was killed by Othello: showing true dedication and love to him by claiming that her death was self inflicted. To further reinforce this, she asks to send her love the Othello. Even in death, Desdemona seeks some kind of constant in her life. Desdemona is depicted as someone who can make her own decisions, and chooses whomever she may to love, as opposed to simply cooperating with a forced marriage.…
Shakespeare’s introduction of the characters allows him to communicate Othello’s calm and composed state of mind as a result of his balanced trust between Desdemona and Iago. Through Othello’s rationale behind loving Desdemona, Shakespeare displays the resulting strong bond of trust between the two and its impact upon Othello’s mental state. Amidst the controversial announcement of Othello and Desdemona’s marriage, Othello declares that “[Desdemona loves] me for the dangers I [have] passed,/And I [love] her for that she [does] pity them” (1.3.166-167). Here, Othello asserts that he loves, and in extension trusts, Desdemona because of her ability to support and validate him. This history of loyalty and ‘pity’ refers to the basis of Othello’s…
This is most strongly presented through the idea that this play is a Greek Tragedy. For ‘Othello’ to be a tragedy, someone has to die because of Othello’s Hamartia. Desdemona is the perfect candidate for this because she is a weak character- even Emilia, the only one who loves her properly, treats her delicately “the sweetest innocence.” This suggests that she is liable to kill because she does not add any significance to the play apart from her death and her supposed unfaithfulness yet she was one of the strongest characters- constantly denying her traditional role, despite being so young and naive. This creates the argument that women in that time were seen as feeble characters, therefore Shakespeare was mistreating her.…
No matter how obedient she was to Othello or any other man, she would end up always in the wrong. Women in Shakespearean time were held to unrealistic expectations which in some cases, including Desdemona 's, would lead to death. Desdemona deserved to be treated better and to be around better men. Desdemona was a victim of her…
Along with every man in this play because of their patriarchal society roles. In the end of the play, Othello murders Desdemona by smothering her in bed. When Desdemona's maid comes into the room and finds Desdemona, she claims “a guiltless death” as if she has taken her own life in order to keep Othello innocent (V150-154). When analyzing this scene using feminist criticism, a modern audience can see how submissive a woman can be to their husband, even when Desdemona showed that she is independent and bold in the beginning of the play. In today’s society, there are multiple cases of domestic violence when the victim that are likely a women who blames themselves for getting abused instead of the abuser.…
Desdemona, Othello’s love interest, first began to fall in love with Othello after listening to his war stories and Othello fell in love with her because “she did pity them”(Act 1, Scene3). Desdemona is accused of having an affair with Cassio, Othello’s Lieutenant, by Iago for reasons not disclosed by Shakespeare. Throughout the play her goodness and loyalty to Othello is steadily revealed especially in the end. In the beginning of the play she openly admits to her great loyalty to Othello when she chooses him over her own father, “I do perceive here a divided duty……
When the character Othello in Shakespeare’s Othello confronts Desdemona of her infidelity, he is challenging her honor and furthermore, their marriage and relationship. In regards of their history, Desdemona previously deceived her father to pursue her relationship with Othello. Therefore, the notion of deceiving Othello becomes a realistic possibility provided the manipulation of Iago. Throughout the text, Othello makes numerous referrals to religious beliefs and contrasts between heaven and hell with reference to Desdemona’s alleged actions. He implies a belief through his words that Desdemona is his possession and her actions have inflicted the gods upon him.…