Through the use of metaphor, Malouf describes how the community see Gemmy as “contaminated” by the land, highlighting how his identity had changed through living with the aboriginals. Not only has he adopted their language and customs but he is described as having lost ‘it’, a term symbolic of his western identity, in order to become accepted by the aboriginals. This theme can also be seen within Cloudstreet and the changing actions of Rose. Winton’s use of a third person omniscient narrator allows the readers to see how Rose “couldn’t stand having… the bus knowing she was coming home unescorted”. This social pressure to conform forces Rose to change her independent character such that, within two weeks, she has begun to date Toby. Sam also experiences a similar shift in character in an attempt to become accepted by his daughter. Through the use of an interior monologue, Sam tells himself that he could not work in a regular job, that “he was no donkey worker” and instead “he saw himself… living from divining the big wins”. However, this is sharply contrasted by his actions a few days later, after Rose tells him she wants a stable income, were he says that he “got a job… at the mint”, highlighting his loss of
Through the use of metaphor, Malouf describes how the community see Gemmy as “contaminated” by the land, highlighting how his identity had changed through living with the aboriginals. Not only has he adopted their language and customs but he is described as having lost ‘it’, a term symbolic of his western identity, in order to become accepted by the aboriginals. This theme can also be seen within Cloudstreet and the changing actions of Rose. Winton’s use of a third person omniscient narrator allows the readers to see how Rose “couldn’t stand having… the bus knowing she was coming home unescorted”. This social pressure to conform forces Rose to change her independent character such that, within two weeks, she has begun to date Toby. Sam also experiences a similar shift in character in an attempt to become accepted by his daughter. Through the use of an interior monologue, Sam tells himself that he could not work in a regular job, that “he was no donkey worker” and instead “he saw himself… living from divining the big wins”. However, this is sharply contrasted by his actions a few days later, after Rose tells him she wants a stable income, were he says that he “got a job… at the mint”, highlighting his loss of