In several of the scenes, we see news reports about Kane’s death, we see Kane’s life through several other people’s point of view. This was greatly due to Toland’s self-styled “pan focus” photography and the “soft style” of photography favored by the studios in the 1930s. Welles’s use of the deep-focus sequence shot in Kane demonstrated a mastery of composition in depth. Not only did he use the format functionally, to develop scenes without resorting to montage, but he used it expressively to create metaphors for things that the cinema cannot explicitly
In several of the scenes, we see news reports about Kane’s death, we see Kane’s life through several other people’s point of view. This was greatly due to Toland’s self-styled “pan focus” photography and the “soft style” of photography favored by the studios in the 1930s. Welles’s use of the deep-focus sequence shot in Kane demonstrated a mastery of composition in depth. Not only did he use the format functionally, to develop scenes without resorting to montage, but he used it expressively to create metaphors for things that the cinema cannot explicitly