When out in the open, shots enable a unique juxtaposition of a wide open world that is inaccessible to any of the characters. The world itself is free, however the characters are not. For Omar specifically these shots limit his movement capabilities: he is confined to a world he longs to escape, but not one he can ever escape to. Urban borders and structures force him to remain in a world of captivity, and aided by the camera any notion of freedom is even more narrow. He must navigate through a constricted city, a tiny world where captivity and imprisonment could occur around any corner. Although he can very skillfully make his way around his world, the camera constantly reminds us that his world is much smaller than it
When out in the open, shots enable a unique juxtaposition of a wide open world that is inaccessible to any of the characters. The world itself is free, however the characters are not. For Omar specifically these shots limit his movement capabilities: he is confined to a world he longs to escape, but not one he can ever escape to. Urban borders and structures force him to remain in a world of captivity, and aided by the camera any notion of freedom is even more narrow. He must navigate through a constricted city, a tiny world where captivity and imprisonment could occur around any corner. Although he can very skillfully make his way around his world, the camera constantly reminds us that his world is much smaller than it