In the New York Times book review of Can’t Stop, Won’t Stop, Alex Abramovich argues how Chang was supposed to do a documentary on the history of the Hip-Hop community, not about the politics of that time. Abramovich argues how Chang did a great job depicting the history and politics behind the development of hip-hop but winds-up forgetting about the music aspect of hip-hop and it’s four elements. Personally, I agree with what Abramovich implied. Chang do losses some of his focus on the music and the four elements. I don’t agree on how Chang’s work is arbitrary and out of pace though since every change that was depicted in the book, greatly influenced the way hip-hop was affected. KRS-One is another person that argues about what Chang wrote
