Hip Hop's Year Of Dangerous Dancing Summary

Improved Essays
In “Hip-Hop’s Year of Dangerous Living Put the Accused on the Charts” by Jon Caramanica, the author describes the recent trend of people with criminal records becoming sensations in the hip-hop/rap community. The author keys in on three main factors as of why these troubling artists are becoming so popular. The hip hop community’s tolerance of complicated histories, lack of understanding their artists’ backgrounds, and young and misleading crowd stands as the author’s factors as to why these artists are becoming successful.
Jon Caramanica understands that the hip-hop genre has a culture that consists of a wide accepting of troublemaking. According to the author, the genre is switching from a more pleasant-sounding, soothing genre into a tougher, darker genre. In the article, the author states that Hip-Hop is changing from its current style, which artists like Drake controlled, and into a style that artists like Chief Keef can rule. Kodak Black and XXXTentacion are just two of many artists who have been treated as royalty even though they both have violent backgrounds. Kodak Black’s first album, Painting Pictures, debuted at #3 on the album chart and his hit song from the album “Tunnel Vision” produced even better numbers as it became certified double platinum. XXXTentacion, on the other hand, began
…show more content…
Many radio stations, blogs, and streaming services have ignored the crimes that the rappers have been accused of and are now promoting them. Therefore, unless listeners did the research themselves, the news would not reach many people. Caramanica states that the information on the artists is easily accessible. Later however, he explains how quick the music can spread without the context of the artist’s life. According to the author, these newcomers to the hip-hop scene will continue to shine if listeners continue to listen to the music in an unconcerned

Related Documents

  • Improved Essays

    When Shawn “Jay Z” Carter and Kanye West proclaimed their membership to the new black elite, they were being modest in their declaration because the Hip Hop echelon had arrived long before 2011. Many of them had not only accumulated a vast amount of wealth a decade prior, but took part in the shift in qualities that determined ones elite status. This alteration from the previous black elite during the fourth wave first emerged when the Hip Hop generation was born. It ultimately came full circle when black and brown youth in urban ghettos in New York united through privations and the fervent need to alter their grim futures.…

    • 1276 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Kiese Laymon Allusion

    • 1426 Words
    • 6 Pages

    These allusions also serve as references to famous rappers and specific descriptions of them in order to build the reliability of the author. This essay reads like a personalized, detailed history book of rap and how southern rappers have effected it. In order to both provide examples of these and other rappers, Laymon fills this essay with long strings of allusions to rappers and their songs and actions. He includes lists of rappers such as “Charlie Braxton, K.R.I.T., Kamikaze, Mychal Denzel Smith, Tito Lopez, Skip Coon, Pyinfamous, Banner,…”(72) or “Scarface, JT Money, Ice Cube, Bun B, MC Ren, and D.O.C.” (65) as a means to provide examples of the people he is describing, but he uses such lengthy allusions in order to show his vast intelligence in this subject. These long specific lists of examples that serve to build the reliability of the author.…

    • 1426 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    These environments for rappers are normally poor communities, high rates of violent crime, drugs, weapons, and the highest rates of murder in the cities these communities are. It does not mean these artists are the ones committing these acts. As shown in many cases these rap artists have admitted to exaggerating for sales and to keep their “street credit.” Many jurors don’t understand rap, and meanings get lost in translation and taken out of context. Rather than treating rap as a form of artistic expression, prosecutors like to say that the music is autobiographical, that rappers are just sharing their stories.…

    • 1083 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Unquestionably we live in an advance-centralized world, the network has been in our lives from any aspect anyone can think of. It became a pivotal vehicle for our lives. From the help of the Internet hip-hop progressed into one of the utmost influential forces. The reason for this is that, contrasting any other ranges of music; hip-hop is entrenched in a larger power. The hip-hop genre is conceivably one of the most persistent and prevailing cultural forms as of now, it’s evidently different from other forms of culture because it arose inside and established in a discrete subgroup.…

    • 1009 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    In today’s society, most people would associate hip hop with misogyny and violence. Zebra Balay’s Huffington article, “What We Forget When We Talk about Hip-Hop's Women Problem” focuses on the double standards of misogyny found within hip hop culture as a way to suggest that music critics should analyze other musical genres and American society. Blay’s appropriate choice of words combined with the use of other authors’ articles throughout her article, builds her credibility and appeal to the readers emotions. However, her use of exemplification to establish the issue of misogyny within the music industry, creating an ineffective argument.…

    • 775 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Tricia Rose's Hip Hop Wars

    • 1017 Words
    • 5 Pages

    One of these arguments is somewhat too supportive. That argument, according to Rose, is “For some, all expression in commercialized hip hop, despite its heavy manipulation by the record industry, is the unadulterated truth and literal personal experience of fill-in-the blank rapper…” (Rose, 6). In other words, these supporters believe that everything that these rappers are talking about are true events (Rose, 6). The problem with this argument is the blind trust that these supporters are giving the rappers.…

    • 1017 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    History Of Hip Hop

    • 1167 Words
    • 5 Pages

    The History of Hip Hop Today, Hip Hop is a worldwide genre that has swept the globe with passion and soul. What started out as a generally “black culture genre,” is now accepted and done by every race and culture, and even in different languages. Rappers such as Run DMC, Doug E Fresh, Grandmaster Flash, and Kurtis Blow put a stamp on the Hip Hop world and gave it its popularity and momentum. The history of Hip Hop and how people used Hip Hop as a voice for African-Americans, shows how the evolution of Hip Hop is a great thing for the world. What is Hip Hop, and what is the history of it?…

    • 1167 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Black Masculinity In Rap

    • 649 Words
    • 3 Pages

    Masculinity, especially black masculinity, is portrayed in every rap and hip-hop song. Rap artist mostly portray hegemonic masculinity, or appear to be hypermasculine. Hypermasculinity is defined as the exaggeration of male behavior with an emphasis on physical strength, aggression, and sexuality. Major aspects portrayed in hip-hop and rap music are drugs, weapons, and sexual power. These three aspects form hypermasculinity, and are all in rap and hip-hop songs.…

    • 649 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    “Hip Hop is Now: An Evolving Youth Culture” by Carl and Virgil Taylor is an article from a journal that discusses the relationship between youth and hip hop culture. The article explains why Hip-Hop music includes violence, drug abuse, misogyny, and hypersexualization so excessively, yet youth ignore the vulgarity of it and enjoy it. Carl and Taylor interview different young adults and gain their perspectives on hip hop and how it influences them. The article then takes these views and attempt to help adults and those who question hip hop to understand them. The article educates adults about the way youth perceive ideas of loss of hope, tragedy, and morals in a way they can understand and sympathize with.…

    • 1223 Words
    • 5 Pages
    Improved Essays
  • Superior Essays

    Hip Hop Wars Analysis

    • 1143 Words
    • 5 Pages

    Tricia Rose’s “The Hip Hop Wars” commences and entitles the first chapter as “Hip Hop Causes Violence.” Before furthering on with the chapter, one may intuitively develop a bias supposition that what is titled is based on an actual fact without having any valid evidence to prove why it is the way it is. Tricia Rose, whom is an author, a scholar, and a public speaker presented an argument stating “a key aspect of much of the criticism that has been leveled at hip hop is the claim that it glorifies, encourages, and thus causes violence (Hip Hop Wars, pg.34).” Although several critics may agree that hip hop promotes violence, Tricia Rose covers the significant aspects of the controversy whether hip-hop indeed causes violence.…

    • 1143 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    Rap music and Deviant Behavior in Teens Rap music is based on “African tradition of speaking rhythmically to a beat that is generally supplied by background music.” In the 80s, a rapper by the name of Grandmaster Flash would rap about “deplorable conditions of the inner cities” in order to bring attention to them. Gangsta rap is based on Grandmaster Flash’s song The Message because it raps about the conditions of poor communities. Gangsta rap are usually about police brutality towards youth in inner cities, the violence that are committed in communities where the artists are from, drugs and alcohol abuse, educational inequality. Since the early 1990s Rap music pacifically gangsta rap have become popular with teens and young adults because rap music sings about world problems that these teens and young adults face, in addition to that, the rap music is also about glamour and being rich which the teens fantasy about.…

    • 815 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Although black youth commit their fair share of crime in Toronto, their criminality does not differentiate their musical preferences for rap compared to their more law-abiding peers (Julian,Mark,Scot,2009). The crime rate for kids are very high. kids want to be like their favorite rapper to prove them self. kids make foolish choices when it come to hip hop. Hip hop artist need to start trying to influence kids to do better things.…

    • 1152 Words
    • 5 Pages
    Improved Essays
  • Superior Essays

    In regard, rap artists are sending out a negative message to youth. Among the many youth and negative lyrics in rap music, rap artists remain an influence on youth education. Many youth are starting to come up without a decent education, because youth are dropping out of school to pursue a rap careers (Toms, 2006, p2). Youth want to become rap artist, so they can live a thug lifestyle, in order to have the lavish women, expensive cars, and money. Communities, generation and legacies are suffering because of the negative visualizations that producers and record companies are promoting to rap artist, along with BET and MTV broadcasting their videos (Toms, 2006,…

    • 2224 Words
    • 9 Pages
    Superior Essays
  • Superior Essays

    All rappers degrade black women and the people who support these corrupt rappers hate black women also. Jennifer Mclune’s “Hip-Hop’s Betrayal of Black Women” creates this biased inference within its readers after reading the text. Mclune is a writer, activist, and librarian that lives in Washington D.C. Her article, “Hip-Hop’s Betrayal of Black Women,” first appeared in an online magazine called Z Magazine in 2006. The story discusses how rappers feel that they have a privilege over women and they rap about it in their music.…

    • 1405 Words
    • 6 Pages
    Superior Essays
  • Superior Essays

    The Golden age of rap and hip-hop is a name that was bestowed unto mainstream music, between the late 1980’s and the early 1990’s. This time period was shaped by popular figures such as Tupac Shakur, Biggie Smalls, NWA (Niggas with Attitude), Rakim, Slick Rick and MC Hammer. This era revolutionized “gangsta rap”, changing it from sub-conscience music to pro-violence music; however political issues and criticism of the African-American community was still prevalent in their music. Between the 1980’s and 1990’s, the most influential rappers were Tupac Shakur and Christopher George Latore Wallace (Biggie Smalls), due to their leadership role on the streets and outstanding rapping skills, they earned respect from the rap/urban community. Although…

    • 1306 Words
    • 6 Pages
    Superior Essays