Enzo Chelli’s use of space was beautiful, the dancers covered every point of the stage. His variation of levels and the fluidity in the transitional moments of the dance made it appear effortless, like the dancers were floating nonchalantly across the stage. The dancers must be cautious when performing dances with a nonchalant dynamic, because emotion becomes even more important in these types of moments. There was a transitional moment around the 6 ½ minute mark when the dancers are performing a simple chaine turn, with repetitive flowing arms that appeared sloppy and meaningless to me. When dancers perform, seemingly nonchalant, free flowing transitions like that emotion is key. My dance teacher always told me “don’t you move a limb, or turn your head, in my dance without intent”. What she meant was every movement even the
Enzo Chelli’s use of space was beautiful, the dancers covered every point of the stage. His variation of levels and the fluidity in the transitional moments of the dance made it appear effortless, like the dancers were floating nonchalantly across the stage. The dancers must be cautious when performing dances with a nonchalant dynamic, because emotion becomes even more important in these types of moments. There was a transitional moment around the 6 ½ minute mark when the dancers are performing a simple chaine turn, with repetitive flowing arms that appeared sloppy and meaningless to me. When dancers perform, seemingly nonchalant, free flowing transitions like that emotion is key. My dance teacher always told me “don’t you move a limb, or turn your head, in my dance without intent”. What she meant was every movement even the