Marie d’Oignies is one of the main mystical women that Margery emulates traditional mystical behavior from. It is noted that Marie would also have uncontrollable weeping and sobbing, “Wherefore for a long time after this visitation she could neither gaze at an image of the Cross, nor speak, nor hear other people speaking about the passion of Christ, without falling into ecstasy through a defect of the heart. Therefore she sometimes moderated her sorrow and restrained the flood of her tears…” (de Vitry 218). Margery performs a reenactment of these uncontrollable episodes where she cries and weeps most of the times that she is in contact with divine, whether it’s physically or spiritually. Specifically, in Chapter 60, Margery is in Norwich, and goes to the churchyard of Saint Stephen’s. Immediately after she enters the church, Margery starts crying and sobbing, much like Marie d’Oignies where even the gaze of an image could make her cry. As Kempe
Marie d’Oignies is one of the main mystical women that Margery emulates traditional mystical behavior from. It is noted that Marie would also have uncontrollable weeping and sobbing, “Wherefore for a long time after this visitation she could neither gaze at an image of the Cross, nor speak, nor hear other people speaking about the passion of Christ, without falling into ecstasy through a defect of the heart. Therefore she sometimes moderated her sorrow and restrained the flood of her tears…” (de Vitry 218). Margery performs a reenactment of these uncontrollable episodes where she cries and weeps most of the times that she is in contact with divine, whether it’s physically or spiritually. Specifically, in Chapter 60, Margery is in Norwich, and goes to the churchyard of Saint Stephen’s. Immediately after she enters the church, Margery starts crying and sobbing, much like Marie d’Oignies where even the gaze of an image could make her cry. As Kempe