Analysis Of Saar 's Iconic The Liberation Of Aunt Jemima Essay

1838 Words Nov 14th, 2016 8 Pages
As the United States black power movement of the 1960’s and 70’s gained momentum, African American artists seized the scene and created pieces that reflected their history of oppression and embraced the progress towards attaining equality. Focusing on two works in particular, Betye Saar’s iconic The Liberation of Aunt Jemima (1972), and Richard Hunt’s sculpture the Outgrown Pyramid #1 (1973), will help uncover the plight of African American’s at that time. These artists both demonstrate a keen awareness of how their art will operate in their surrounding locations. Saar’s work controls the viewer to experience it from one perspective, while Hunt’s piece is wide open for interpretation and interaction from all sides.
In comparing these two works, it is evident that both artists embrace the postmodern minimalist compositions that were prevalent in their moment. In analyzing how the material, shape, and color interact with their surrounding environment, Saar’s piece is a direct and poignant symbol of black power exhibited in an institutional setting, while Hunt’s work of public art is a broad interpretation of the natural evolution of black america.
Para 1: Description of Richard Hunt’s Outgrown Pyramid #1 (1973) Nestled in a small grove of oak trees, Richard Hunt’s Outgrown Pyramid #1 (1973) is a robust steel sculpture that sprawls out horizontally along a slight incline of UC Berkeley’s campus. The work is a rustic brown color with varying degrees of roughness as viewers…

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