Narrative Techniques In Alfred Hitchcock's Rear Window

Superior Essays
In Alfred Hitchcock’s film, Rear Window, he uses elements of film in a way that expresses to the audience what the character desires and the power relations that exist between them. In the sequence where Lisa and L.B. Jeffries have dinner from “21 Club,” their contradicting desires are expressed through these various elements. For example, Hitchcock uses framing, editing, and character positioning within the mise-en-scene to portray that Lisa desires Jeff but he doesn’t feel as strongly of her. Furthermore, these elements help the audience to analyze the film for larger significance and to see that during the Classical Hollywood Cinema era, women are often sexualized in their roles and are subjected to or become objects for the male characters …show more content…
The editor may arrange shots in a certain order, cutting the length of a shot, etc., to render an idea in the minds of the viewers. The editing also allows us to sit in the seat of Jeff with the use of point of view by cutting back and forth between Jeff and what he sees. It allows the audience to get a feel of what is occurring and when it cuts to a close up of Jeff we can see his emotions and reactions toward Lisa. The use of editing with the consideration of the axis of action help to define the character’s spacial relations or where the characters are in relation to one another. Had the scene been one long take without the addition of cuts, the viewer would not always know they are in relation to what is occurring in the story. If the audience does not know where the characters are in regards to space, the things occurring on screen will not be as clear. However, because editing is present, when she opens the door for the delivery guy we can see that he is in surprised. The immediate switch of camera angle through cutting allows the viewer to also see his sarcastic and disagreeing reaction—like when she suggests he leaves the magazine for her. Thus also helping to show who holds power and that he does not desire her in the same …show more content…
The, filmmaker can control what appears in the scene in a strategic way to express a message. In Rear Window, character placement does such; Jeff is sitting in his wheelchair the entire time while Lisa frantically does everything. And although he is at a lower position than her, he be seen as her controller and this makes him dominant over her. In the scene he does not do a single thing for her and that can be used to represents his feelings. The lighting and the clothing of Lisa serves many purposes with one being to feminize and sexualize her towards Jeff. The lighting tends to be darker when the camera is directed towards Jeffries, while Lisa is constantly illuminated in bright contrast. In regards to the mise-en-scene around her clothing, Lisa states that she never wears dresses twice and also that she is wearing what is expected of her. Jeff’s attitude shows that he is not against a pretty female galloping about his room but just that she is “too perfect for him.” With the use of the powerful mise-en-scene the viewer is able to better understand that Lisa expects Jeff to marry her but that he isn’t ready for marriage. She’s too perfect for what he

Related Documents

  • Decent Essays

    Antypology is the study of human culture. As many people study all aspects of human culture, institutions, beliefs, values they understand that Iconic aspect of american culture is fast food. Many fast food restourant in a city tell us that Americans like Fast food. Restourants in a city can tell a lot about country's culture. However, not only restaurants but also what represents the country also represents the culture such as movies.…

    • 307 Words
    • 2 Pages
    Decent Essays
  • Superior Essays

    Pages 305-307 → Film The day was fading into a soft sun-shot haze, pricked here and there by a yellow electric light, and passers were rare in the little square into which they had turned. Dallas stopped again, and looked up. "It must be here," he said, slipping his arm through his father 's with a movement from which Archer 's shyness did not shrink; and they stood together looking up at the house. It was a modern building, without distinctive character, but many-windowed, and pleasantly balconied up its wide cream-coloured front. On one of the upper balconies, which hung well above the rounded tops of the horse-chestnuts in the square, the awnings were still lowered, as though the sun had just left it.…

    • 2273 Words
    • 10 Pages
    Superior Essays
  • Improved Essays

    Spike Lee combines certain cinematic techniques together in order to convey a specific message about societal issues such as race and gender. Throughout this analysis of Spike Lee, the relationship between the dialogue in a sequence and the cinematic techniques in a sequence will be heavily analyzed. The analysis of this relationship will help the viewer to understand the message that Spike Lee is trying to convey in his films. To reinforce this relationship, the ideas of the film theorist Vsevolod Pudovkin are helpful in understanding why Spike Lee chose to place certain shots in a specific order.…

    • 1250 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    The angles he shows to the viewer cause the film to be more suspenseful. For example, the camera angles allow the viewer to know more than the main character. The screen repeatedly shows Alma with the other dolls behind her, and whoever watches may see how the dolls’ eyes move and follow her across the shop. Blaas causes the viewer to be on edge because he or she knows that something horrific will happen to the character from the prior knowledge that the film, Alma, is of the horror genre. Another instance is how the camera follows the doll and comes back to it many times throughout the duration of the film.…

    • 862 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    The Role of Anonymity and the Justification of Voyeurism in the Apartment-Dwelling World of Rear Window voyeurism noun | voy•eur•ism | \ vwä-ˈyər-ˌi-zəm , vȯi-ˈər- \ a: the practice of obtaining sexual gratification from observing others b: the practice of taking pleasure in observing something private, sordid, or scandalous Do you know the person who lives next door to you? You probably saw them a couple of times in the elevator or the parking lot, maybe even chatted with them. What was their name again? Neither of you care enough to remember, thus, forming the notion of paradoxical anonymity of the 21st century.…

    • 1670 Words
    • 7 Pages
    Great Essays
  • Improved Essays

    Lisa slowly and steadily comes to represent a stereotypical middle class woman in the 1950s. There were two options for Jeff- either get married and be content with his present adventurous life in “combat boots and a three day bread” or he can look “handsome and successful in a dark blue flannel suit.” (qtd in Keith 4). Jeff feels that Lisa cannot accommodate herself in his world and be happy with “fish heads and rice” and he cannot either be happy in a domestic life where he himself will be unhappy “rushing home to a hot apartment every night to listen to the automatic laundry, the electric dishwasher, the garbage disposal and a nagging wife” (qtd from the film). Jeff’s resistance to Lisa is rooted not only in larger issues related to marriage…

    • 312 Words
    • 2 Pages
    Improved Essays
  • Superior Essays

    “A film is made up of a hundred or more hidden things,” Vincente Minnelli once said in an interview. The quote seems to sum up Minnelli’s layered film making style. In this essay I will be exploring the themes of feminism, one of the hundred or more hidden things in Minnelli’s work. The essay will move through the life of Minnelli, analysing films from both the beginning and end of his career in the context of the time in which they were made. Vincente Minnelli was born Lester Anthony Minnelli in Chicago on February 28 of 1903 into a theatrical family.…

    • 2391 Words
    • 10 Pages
    Superior Essays
  • Great Essays

    Vampires, werewolves, and monsters of all kinds have been prevalent in the horror genre, but the monstrous-feminine is comparably different. Whereas male monsters shock and terrify the audience through violence and bodily transformations, the female monster is horrifying in relation to her sexuality. The horror genre has frequently perpetuated patriarchal ideologies with scenes objectifying women using the ‘male gaze’ and punishing women for any kind of sexuality. Brian de Palma’s 1976 film adaption of Stephen King’s novel Carrie is no different.…

    • 1510 Words
    • 6 Pages
    Great Essays
  • Improved Essays

    In an effort to flee, Sarah-Jane heads towards her suitcase. The wall serves as a division between her and Annie. The split in the framing of the shot “balances point of view so that the spectator is in a position of seeing and evaluating contrasting attitudes.” (Case Study: Imitation of Life pg 95) In a following shot, Annie and Sarah-Jane cry and embrace one another for the last time.…

    • 942 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Purple Rain Film Analysis

    • 987 Words
    • 4 Pages

    “Purple Rain” is a movie about Prince and his singing career. The film was originally created to show off Princes musical talents to the world. The film uses a plethora of aesthetics to create meaning. The use of cinematography, editing, mise-en-scene, and narration all play a vital role in this. Without these vital aspects of the movie the audience would not be able to gain an understanding of what the movie actually means.…

    • 987 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    In Janes Gaines’s, White Privilege and Looking Relations: Race and Gender in Feminist Film Theory, Gaines wanted to show how a theory of the text and its spectator, based on the psychoanalytic concept of sexual difference, is unequipped to deal with a film which is about racial difference and sexuality. “The Diana Ross star vehicle Mahogany (directed by Berry Gordy, 1975) immediately suggests a psychoanalytic approach because the narrative is organized around the connections between voyeurism and photographic acts, because it exemplifies the classical cinema which has been so fully theorized in Lacanian terms” (Gaines, 12). But as Gaines argued, the psychoanalytic model works to block out considerations which assume a different configuration…

    • 929 Words
    • 4 Pages
    Improved Essays
  • Superior Essays

    Racism In John Grisham's A Time To Kill

    • 1354 Words
    • 6 Pages
    • 5 Works Cited

    Depth of focus allows us to see specific expressions during the closing argument. This builds a more dramatic scene for the viewer. Graphics and fast-lambent cinematography at the beginning of the film; the scene then going into the rape of Tonya Hailey, is for the purpose of getting the hearts of the audience to sympathize with the…

    • 1354 Words
    • 6 Pages
    • 5 Works Cited
    Superior Essays
  • Improved Essays

    Alfred Hitchcock was a film director from England who moved the United States in 1939. He was famously known as the “Master of Suspense”. Hitchcock’s golden years of his cinema career were from the 1950’s to the 1960’s. During this time, he made various famous films, such as Vertigo, North by the Northwest, and Psycho. When we compare these films it’s hard to find something they might have in common.…

    • 939 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The director utilized cuts for transitions rather than more gradual transition changes. Cuts create a straight forward meaning that goes right to the point, which accentuates the workers one track mind. The pace workers’ is slow, especially when they are changing shifts, in order to reflect the bleak attitudes of workers as they drag their feet to and from work in shifts every day. However, the gears shown in the beginning of the sequence are fast paced with a momentum that cannot be stopped, revealing the workers’ inability to stop their daily schedules and…

    • 752 Words
    • 4 Pages
    Improved Essays
  • Superior Essays

    Billy Wilder’s Some Like It Hot, is one of the more popular comedic works of its time. The movie showcases genres of romance, crime and comedy while creating an obvious juxtaposition of male and female characters. The movie highlights central themes regarding gender and sexuality. Marilyn Monroe’s character represents the quintessential cinematic female fantasy, as she represents the seemingly all too innocent, naive, sensual and sexual female representation that she has been largely popularized by. In spite of the movies light comedic angle it showcases some relevant beliefs on the pervasive attitudes around female relationships, sexuality, gender norms roles and values.…

    • 1369 Words
    • 6 Pages
    Superior Essays