First, the two-shot helps enhance Spike Lee’s message is through the camera angle. When Nola says “don’t hurt yourself” (cite) Greer drops to the ground. The angle of the camera changes from a slight high angle to a neutral angle of them both on the floor of the apartment. This angle, again, puts both Greer and Nola on the same level plane in contrast with other shots where Greer was shot at a low angle and Nola was shot at neutral angle. This level plane in relation to the dialogue spoken gives the viewer a different perspective. It shows how Nola is not listening to Greer anymore, she is now arguing
First, the two-shot helps enhance Spike Lee’s message is through the camera angle. When Nola says “don’t hurt yourself” (cite) Greer drops to the ground. The angle of the camera changes from a slight high angle to a neutral angle of them both on the floor of the apartment. This angle, again, puts both Greer and Nola on the same level plane in contrast with other shots where Greer was shot at a low angle and Nola was shot at neutral angle. This level plane in relation to the dialogue spoken gives the viewer a different perspective. It shows how Nola is not listening to Greer anymore, she is now arguing