Toyo-o starts out as a handsome smart man, yet a “problem” to his family, so problematic that his family even considers to get rid of him through adoption (632). To what the society expects of men, honest, tough and focused to occupation, like Taro, his elder brother, Toyo-o’s uselessness, shiftlessness, and inclination to romanticism make him an outsider to the society, a target for deception (632). Right away, it creates meaning for Manago, a female devil that is needed in the context for teaching the male protagonist-Toyo-o a lesson, indeed, helps him develop masculinity that is expected even so needed to be become grown-ups in the
Toyo-o starts out as a handsome smart man, yet a “problem” to his family, so problematic that his family even considers to get rid of him through adoption (632). To what the society expects of men, honest, tough and focused to occupation, like Taro, his elder brother, Toyo-o’s uselessness, shiftlessness, and inclination to romanticism make him an outsider to the society, a target for deception (632). Right away, it creates meaning for Manago, a female devil that is needed in the context for teaching the male protagonist-Toyo-o a lesson, indeed, helps him develop masculinity that is expected even so needed to be become grown-ups in the