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32 Cards in this Set

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Rhetorical Techniques

Used in effective or persuasive language. Ex: apostrophe, contrast, repetitions, paradox, understatement, sarcasm, and rhetorical question.

Satire

Writing that seeks to arouse a reader’s disapproval of an object by ridicule. Typically comedic.

Allegory

A story in which people, things, and events have another meaning.

Ambiguity

Multiple meanings a literary work may communicate, especially two meanings that are incompatible.

Connotation

Implications of a word or phrase as opposed to its exact meaning.

Denotation

The dictionary meaning of a word, as opposed to connotation.

Convention

Device of style or subject matter so often used that it becomes a recognized means of expression.

Didactic

Explicitly instructive. This type of poem or novel may be good or bad.

Disgression

The use of material unrelated to the subject of a work.

Epigram

A pithy (Concise or forceful) saying, often using contrast. It is also a verse form, usually brief and pointed.

Euphemism

A figure of speech using indirection to avoid offensive bluntness, such as “deceased” for “dead” or “remains” for “corpse.”

Oxymoron

A combination of opposites; the union of contradictory terms.

Soliloquy

A speech in which a character who was alone speaks their thoughts aloud.

Syllogism

A form of reasoning in which two statements are made and a conclusion is drawn from them. One begins with a major premise (“All tragedies end unhappily.”) followed by a minor premise (“Hamlet is a tragedy.”) and a conclusion (Therefore, “Hamlet ends unhappily.”).

Alliteration

Repetition of identical or similar consonant sounds, normally at the beginning of words. Ex: “Gnus never know pneumonia”

Assonance

The repetition of identical or similar vowel sounds. “A land laid waste with all its young men slain” repeats the same sound “a” in the bold words.

Ballad meter

A four-line stanza rhymed abcb with four feet in lines one and three and three feet in lines two and four.



Ex:


O mother, mother make my bed.


O make it soft and narrow.


Since my love died for me today,


I’ll die for him tomorrow.

Blank verse

Unrhymed iambic pentameter, used in most of Shakespeare’s plays.



Ex:


Men called him Mulciber; and how he fell


From heaven, they fabled, thrown by angry Jove


Sheer o’er the crystal battlements: from morn


To noon he fell, from noon to dewy eve.

Dactyl

A metrical foot of three syllables, an accented syllable followed by two unaccented syllables.

End-stopped

A line with a pause at the end. Lines that end with a period, comma, colon, semicolon, exclamation point, or question mark.

Free verse

Poetry which is not written in a traditional meter but is still rhythmical. Walt Whitman is well known for his use of this.

O captain, my captain

Heroic couplet

Two end-stopped iambic pentameter lines rhymed aa, bb, cc with the thought usually completed in the two line unit.



Ex:


When those fair suns shall set, as set they must,


And all those tresses shall be laid in dust,


This lock, the Muse shall consecrate to fame,


And ‘midst the stars inscribe Belinda’s name.

Hexameter

A line containing six feet.

iamb

A two syllable foot with an unaccented syllable followed by an accented syllable. It is the most common foot in English poetry

Internal rhyme

Rhyme that occurs within a line, rather than at the end.

Pentameter

A line containing five feet. It is the most common line in English verse written before 1950.

Rhyme royal

A seven-line stanza of iambic pentameter rhymed ababbcc, used by Chaucer and other medieval poets.

Sonnet

Normally a fourteen-line iambic pentameter poem. The conventional Italian, or Petrarchan, it is rhymed abba, abba, cde, cde; the English, or Shakespearean, version is rhymed abab, cdcd, efef, gg.

Terza rima

A three-line stanza rhymed aba, bcb, cdc.

Tetrameter

A line of four feet.

Antecedent

That which goes before, especially the word, phrase, or clause to which a pronoun refers. Ex: (the boldface word) “The witches cast their spells.”

Clause

A group of words containing a subject and its verb that may or may not be a complete sentence.