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17 Cards in this Set

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  • Back
  • 3rd side (hint)

Contrapuntal Cadence (CC)

- a type of IAC in which at least 1 of the 2 final chords is in inversion (mostly V 6/4, V 4/3, or vii°6 going to I)

(IAC)

Phrygian Half Cadence (PHC or PHRYG)

iv6 - V


Always minor


Melodic voice moves 4-5


Double 5th of the chord

Plagal Cadence

-does not end in a phrase - not a real cadence


- IV-I

"cadence"

Deceptive Cadence

- doesn't end in a phrase


- V-vi (usually)


- phrase seems as if it is going to end - not all V-vi motion is considered a deceptive cadence

"cadence"

Evaded cadence

- usually not a real cadence


- V4/2 - I6


- weak inversion of V7 weakens dominant function --> ruins sense of previous V chord phrase-ending importance


- may be used to connect two phrases or to motivate a reiteration of the cadence

Mozart's "Hm hm hm"

Voice-leading: Leading tone vs chordal Seventh

- Leading tone resolves up but can resolve down in inner voices


- 7th of chord resolves down

Resolve?

How does ii (ii°) resolve?

ii almost always goes to V, never goes back to I

Approaching the leading tone (minor)

Always approach the leading tone from above when writing in minor

IV-ii complex

- ii as voice-leading chord to break up parallels


- can be written IV5-6 rather than IV ii6


- don't retrogress from ii to IV

Escape tone

Unaccented incomplete neighbors following a structural pitch

8/9

In step-descent bass, which is the most common chord to appear above scale degree 7 in the bass?

v6 (minor)

Quality?

In step-descent bass, which is the most common chord to appear above scale degree 6 in the bass?

iv6

In indirect step-descent bass, which is the most common harmonization of the first appearance of scale degree 5 in the bass?

i6/4

When expanding the pre-eminent with a passing sonority, which chord most commonly appears between ii and ii6?

ii - I6 - ii6

When expanding the pre-eminent with a passing sonority, which chord most commonly appears between IV6 and ii6/5?

IV6 - i6/4 - ii6/5

List a couple ways of expanding the pre-dominant

Chordal leaps, repeat the phrase up a step, etc

BRD meaning?

Back Relating Dominant: V chord within the tonic expansion