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70 Cards in this Set
- Front
- Back
Literacy |
Ability to read and write |
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Functional Literacy |
Emphasize the idea that reading and writing skills should enable individual to tackle the task that unfolds in everyday life |
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Media Literacy |
Validly seen as repertoire of skills and capacity |
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Access |
Denotes the knowledge where to find three forms of media |
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Analysis |
Thinking reflectively and critically on what has been read, seen, or experienced and its implication to oneself and to one's community |
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Response |
- Includes the ability to experience and explore the pleasures of media text and how these are realized through the language of the media. |
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Origins of the word MEDIA |
Original means of mass communication were PRINT- magazines, newspapaer etc. - The collective name was PUBLICATION. - Writers borrowed the term MEDIA from advertising people. (Turow, 2009) |
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EMPOWERMENT |
Idea of power. - Hinged on the idea that power can change. |
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INFORMATION LITERACY |
- Is the set of abilities requiring individuals to recognize when information is needed and how to locate, evaluate and use it effectively. |
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INFORMATION AGE |
- Industrial Revolution in Britain began in 18th century - The direct consequence of the invention STEAM ENGINE. - Internet arose in 1969, but it was in 1989 when fully developed WORLD WIBE WEB - Invention of Microform in 1945, allowed for the storage and bulky materials. Internet - Vast chain of computer networks in which anyone has access to a computer. |
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Digital Access |
The ideal situation is that all have full electronic participation in society |
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Digital Communication
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- Involves electronic exchange of information through various platforms and channels |
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Digital Commerce- |
Involves the sale of purchase of goods and services using digital platforms in theinternet
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Digital Etiquette |
Commonly regarded as appropriate and respectful behavior when using information technology. |
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Digital Law
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- The legal environment that informs and guide used about ethical and productive useof technology-
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Digital Wellness |
- Covers the protection of users form what could be potentially deleterious to their over all well being |
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Digital Security |
- Covers the entire gamut of safety precautions that information technology invoke. |
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Representation - |
The ways in which media represents reality - Process of media creation and production |
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Codes - |
System of signs and symbolic meanings embedded in a media text |
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Conventions - |
The established and socially accepted ways of ding media |
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Genre |
- A system of Classification of works of art, based on conventions |
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Format |
- Manned of presention and style that provide structures |
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Construction |
- The capacities of the human mind aided by technology enable this process. -Creats representation for media texts |
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R.A 10175 |
Magna Carta for Internet Freedom or An Act of Defining Cybercrime Providing for the Prevention, Suppression , and the Imposition of Penalties therefore and for other Purpose. Filedby Miriam Santiago |
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Representation |
- Are the construction in any media of certain aspects of reality- Is a way of presenting reality again |
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Genre - |
French word means KIND or CLASS - Original Latin word, GENUS means 'class of things that can be broken down into sub categories' |
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News - |
Are stories that have critical importance to community and national life |
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Journalists |
- People trained to report news to an audience. - Are expected to be OBEJECTIDE, COMPREHENSIDE and BIAS-FREE |
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- Hard or straight news - Feature - Soft News - Investigative news - Opinion |
FIVE MAJOR DIVISIONS OF NEWS STORIES |
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Hard News - |
Found in the first page of the newspaper or makes up the headline |
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Seriousness - |
Means topic or issues that are critical to the lives if community |
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Timeliness |
- Mean stories that cover current events |
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Objectivity |
- One of the guiding principles in covering and presenting new stories- Fair, balanced and impartial stance in retelling stories |
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Inverted Pyramid - |
Acceptable structure of the news story - WHO, WHAT, WHERE, WHY, WHEN, HOW |
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Third Person POV - |
Accepted manner of telling the story |
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Chargen - |
Or generator, a device that incorporates text in the television screen |
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Soft News - |
Includes lifestyle news, travel news etc - Also called HUMAN INTEREST STORIES |
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Features - |
-Extension of soft news |
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Literary Journalism - |
Using established literary conventions and devices that adds flair to the writing style |
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Editorials and Opinion - |
They are usually found in atleast one page of the newspaper, or perhaps spread in two pages called COLUMNS |
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Parody - |
To underscore the misdemeanor of individuals or entities |
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Pooled Editorial - |
Significant issue confronting the nation |
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Investigative Reports - |
Focuses in finding, reporting and presenting news which authorities try to conceal |
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Advertisements |
- Are messages that are created to sell a product or service - Can be commercial in nature, information laden, advancing cause or advocacy |
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Hard- Sell Advertisement - |
Mostly commercial in nature and utilize messages to get the consumers purchase the product. |
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Soft- sell Advertisement - |
Are associative in nature |
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Infomercial - |
Derived from the words INFORMATION and COMMERCIAL. - Combine the need to inform or educate the intent to sell the product |
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Entertainment - |
Derived from the French word 'entretenir' means to 'hold attention, keep busy and amused' - Grabs the audience's attentiom to present something - Divided into Sub- Genre, FESTIVAL DRAMA, GAMING, COMEDY |
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Information - |
Is all aboyt the raw material that circulates around us and from where news a another genre is generated. |
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Audiences |
- A group of people expose and experiencing media |
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Mass Audiences - |
Convenient term applied to huge numbers of people who constuitute the audiences popular mass culture |
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Audience Fragmentation |
- Term used to describe the creation of smaller and less heterogeneous |
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Different Media, Different Audiences |
- Level of Activity and engagement with media and information text - Level fo interaction with audiences - Location and space occupied - Amound of time devoted to watching - Accessibility and proximity |
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Audience as People Assembled - |
Paying attention to a media performing before them |
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Audience as People Addressed |
- Referring to group of people who were imagined by the communicator in the creation and dissemination of text |
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Audience as Happening - |
Could be the experience of reception alone or with others |
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Audience as Hearing or Audition- |
Refers to participatory audience experience |
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Active Audience Theories |
- The audience are not passive receivers as they appear to be |
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Notion of Polysemic |
- 'POLY' implies multiplication. 'SEMIC', Greek word SEMA means audiences see various meanings and signs in the media text - Social Factors: CLASS , GENDER, ETHNICITY |
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Reception and Resistance |
- Is not only one o the acquiescence of passive acceptance |
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Dominant Reading - |
The reader fully shared the text codes and accepts and reproduces the PREFFERED READING |
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Negotiated Reading - |
Audience partly shares the text code and broadly accepts the preferred reading |
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Oppositional Reading - |
Audience takes a directly oppositional stance to the dominant code of the text |
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Hypodermic Needle Theory |
- 1920's gained prominence until after WWII - It asserts media information and messages like a needle, inject their messages to their audiences. |
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Two- Step Flow of Communication |
-Emerged from the studies of Paul Lazarsfield and Bernard Berelson and Hazel Gaudet. |
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Uses and Gratification Approach - |
Argued that the audience access media and information bringing =with them their own need and desires. |
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Information |
- We want to know the society we live in |
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Personal Identity |
- We watch television to validate our understanding and appreciation of our identities. |
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Entertainment - |
We simply use the media for enjoyment, relaxation or to just fill time |
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Cultural Effects Theory |
- Introduced by George Gerbener in 1976 - Argued that television cultivates in its viewers a way of sensing a and seeing the world |