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21 Cards in this Set
- Front
- Back
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María Velasco, View of the Valley of Mexico from the Hill of Santa Isabel, 1877. oil on canvas
-horizon line |
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José María Velasco, Citlaltepetl, 1879
- painting orients the viewer’s perspective through a central valley -brings to the fore of his work the absence of the colonial projects preeminent achievement—the city—and instead foregrounds the immense natural scenery |
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Saturino Herrán, The Rebozo, 1916
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Saturnino Herrán
Coatlicue Transformed, 1918 |
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Joaquín Clausell, Ixtacalco, early 20th c.
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Dr. Atl, Luminous Silence, 1933, oil on board
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Pedro Figari, Candombe, 1924
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José Guadalupe Posada, La calavera catrina
(Calavera of the Fashionable Lady) c. 1900 |
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José Guadalupe Posada,
Revolutionary Calavera, 1910, |
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José Guadalupe Posada, Zapata and
Followers, 1910-1912 |
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Diego Rivera, Details, Chapingo Chapel, 1926-27
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Diego Rivera, Details, Chapingo Chapel, 1926-27
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Diego Rivera, Details, Chapingo Chapel, 1926-27
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Diego Rivera, In the Trenches, 1926-28
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Diego Rivera, Day of the Dead,
1923-24 -atrial cross |
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José Clemente Orozco
Cortés and la Malinche, 1923-26 |
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José Clemente Orozco, Hidalgo, 1937
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David Alfaro Siqueiros, América
Tropical (Tropical America), (originally painted in 1932) |
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David Alfaro Siqueiros, Portrait of the Bourgeoisie,
1939-1940 |
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Frida Kahlo,
Self-portrait of the Borderline Between Mexico and the United States, 1932 |
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José Sabogal, The Indian Mayor of Chincheros: Varayoc, 1925 (Peru)
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