Art Survey

Front 1

I LOVE YOU LINDSEY

Back 1

I LOVE YOU BABY GIRL

Front 2

art as ritual, magic-national dosena of animals

Lacaux Caves (ex)

Back 2

500 BC
Pre History

Front 3

stylized


wall photos (ex)

Back 3

3000-1500 BC
Egyptian

Front 4

classical, proportions

Warrior,Parthenon (ex)

Back 4

500-50 BC

Front 5

formal, simplified/stylized figuresl, rich color


Risen Christ, Mosaics (ex)

Back 5

5th c AD

Front 6

religious art with symbolism

Duccio, Giotto

Back 6

12-15 c

Front 7

church-major art patron Natural observer, beauty, linear perspective, ideal man

Giotto, Michelangelo, Da Vinci

Back 7

14-16 c
Renaissance

Front 8

earthy, symbolism


Van Eyck, Durer (ex)

Back 8

Northern Renaissance

Front 9

exaggeration of space, light, elongation, figure, distort, proportion, perspective


El Greco, Tintoretto (ex)

Back 9

Mannerism
late 16th c

Front 10

drama, light, color, exaggeration, emotions

Brueghel, Velazquez, Rembrandt (ex)

Back 10

Baroque 17th c

Front 11

revival classical greek, intellectual formula

David (ex)

Back 11

late 18th c
Neo Classical

Front 12

intense emotion, literary subjects, nature forces, exotic danger

Delacroix, Turner, Blake (ex)

Back 12

18-19th c
Romanticism

Front 13

ordinary subjects/people, representational

Eakins (ex)

Back 13

Mid 19th c
Realism

Front 14

light, color, brushstroke, "the moment"

Degas, Monet, Renroir (ex)

Back 14

late 19th c
Impressionism

Front 15

formal and expressive

Seurat, Van Gough (ex)

Back 15

late 19th c
Post-impressionism

Front 16

market by abstraction and rapid change in styles

Back 16

20th c

Front 17

French Revolution

Back 17

1789

Front 18

Industrial Revolution

Back 18

19th c

Front 19

First Photograph

Back 19

1826

Front 20

World War One

Back 20

1914-1919

Front 21

World War Two

Back 21

1941-1945

Front 22

Freud

Back 22

1900

Front 23

Wright Brothers

Back 23

1903

Front 24

Einstein's theory of relativity

Back 24

1905

Front 25

Renaissance

Back 25

14-16th c

Front 26

Giotto

Back 26

1301

Front 27

Baroque

Back 27

17th and early 18th c

Front 28

Neo-Classical

Back 28

early 18th c

Front 29

Romantic

Back 29

mid to late 18th c

Front 30

Realism

Back 30

early 19th c

Front 31

Impressionism

Back 31

1870-1880's

Front 32

Post-impressionism

Back 32

late 19th c

Front 33

emotional, bold colors and flat shapes

Roualt, Matisse (ex)

Back 33

early 20th c
Expressionism

Front 34

presentation of multiple views

Picasso (ex)

Back 34

early 20th c
Cubism

Front 35

Dream-like

Chagall, Dali (ex)

Back 35

20th c
Surrealism

Front 36

viewer interprets, simplified/changed

Brancusi, Kandinsky (ex)

Back 36

mid 20th c
Abstract Expressionism

Front 37

large color areas

Rothko, Frankenthaler (ex)

Back 37

1960's
Color Field/ Minimalism

Front 38

objective from popular culture

Warhol, Oldenburg

Back 38

1960's
Pop Art

Front 39

optical illusions

Stella

Back 39

1960's
Op Art

Front 40

photo exactness, acrylic, airbrush

Estes, Hanson

Back 40

1980's
Photo-realism
Post-Modern

Front 41

a visual path of action; straight, broken, curvilinear

a) diagonal implies motion
b) vertical-alertness
c) horizontal-calm

Back 41

line

Front 42

a two-dimesional area or space defined by a line or changes in value and color
a)organic-natural, irregular
b)geometric-man-made, triangle, circle, and rectangle
c)positive
d)negative-background space

Back 42

shape

Front 43

the radiant energy which makes everything we see visible

Back 43

light

Front 44

the relative lightness and darkness of tones and colors. Gradations of value on an object give it a sense of mass or 3-D quality

Back 44

value

Front 45

effect on our eyes of light waves of differing wavelength or frequencies

Back 45

color

Front 46

the tactile quality of a surface (actual) or the representation or invention of the appearance of such a surface quality (implied)

Back 46

texture

Front 47

three-dimensional form having physical bulk.

Back 47

mass

Front 48

the indefinable, great, general, receptacle of all things--the void

a)linear perspective-lines converges on vanishing point to imply depth
b)atmospheric perspective-foreground objects are more detailed, larger, with more contrast; background is grayed, smaller, and less detailed
c)aerial-above looking down
d)worms-looking from below
e)size or scale change
f)position
g)overlap
h)foreshortening
i)warm/cool

Back 48

space

Front 49

a non-spatial continuum in which events occur in succession. can also refer to time of day or season

Back 49

time

Front 50

actual or implied change of position. Diagonal lines, blue, and suspension are ways to show motion. Directional force will also move viewer's eyes through composition.

Back 50

motion

Front 51

center of interest that focuses viewer's attention
a)contrast
b)isolation
c)centrality
d)directional force
e)color intensity

Back 51

emphasis (focal point)

Front 52

interaction of any contradictory elements such as line, texture, or value

Back 52

contrast

Front 53

ordered relationship of opposing forces

a)symmetrical-distribution of somee or similar parts on either side of central axis
b)asymmetrical-felt or implied center of gravity brings opposing or dissimilar elements into equilibrium
c)radial- circular design

Back 53

balance

Front 54

implied or actual line produces directional forces which determine basic structure of work. Person's glance or line up of objects is implied directional force

Back 54

directional force

Front 55

appearance of oneness in composition; what makes the individual parts work together

Back 55

unity

Front 56

recurrence of design elements, can create pattern or be seemingly random or irregular

Back 56

repitition

Front 57

refers to size in comparison to the size of a constant/ one object compared to another object (pencil to person)

Back 57

scale

Front 58

size relationship of parts to a whole and to one another (head to body, or facial features to head)

Back 58

proportion